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About the Programme Academic Staff Program Qualifications Lessons Matrix of Course & Program Qualifications Turkish Qualifications Framework (TQF) TQF & Program Qualifications
  1. Faculty of Fine Arts
  2. Department of Painting
  3. Course Structure Diagram with Credits
  4. Painting III
  5. Description
  • Description
  • Learning Outcomes
  • ECTS Credit Load
  • Course's Contribution to Program
  • Learning Outcomes & Program Qualifications
Last Updated: 02/03/2026

Code - Course Title Compulsory/Elective Laboratory + Practice ECTS
RSM319 - Painting III V. SEMESTER 4 +6 9.0
Language of Instruction Türkçe
Course Type Required Courses
Course Instructor(s) PROFESÖR GÜLDANE ARAZ AY
Mode of Delivery FACE TO FACE
Place of Delivery
Used Educational Platforms
Prerequisites
Courses Recomended RSM235 PAINTING 1, RSM236 PAINTING 11
Recommended Resources The story of Art , E.H. Gombrich, Remzi KitabeviSanat ve Yanılsama, E.H. Gombrich, Remzi KitabeviRomantizm, Francis Claudon, Remzi KitabeviRönesanstan Günümüze Resim Sanatı tarihi, Anna Carola KrausseFelsefenin Işığında Modern Resim, İsmail Tunalı, Prof., Remzi KitabeviEmpresyonizm (İzlenimcilik), Mark Powell-Jones, Remzi KitabeviModern Sanatın Öyküsü, Norbert Lynton, Remzi KitabeviResim Sanatının Tarihi, Sezer Tansuğ, Remzi KitabeviEmpresyonizm, Maurice Sérullaz, Remzi KitabeviSembolizm, Jean Cassou, Remzi KitabeviSanatı Görmek, Bates Lowry, İş bankası Yayınları, 1972HARVEY David, Postmoderliğin durumu, Metis Yayınları,2003Gombrich E.H., Sanat ve Yanılsama, Remzi Kitapevi,1992BAUDRİLLARD Jean, Sanat komplosu, İletişim Yayınları,2010
Work Placement
Aims of the Course

Weeks Learning Outcomes Topics Teaching Methods
Week - 1 Light-dark composition, observational work on the interior and exterior.
Week - 2 Color saturation in grayscale values, imaginary work on indoor and outdoor space
Week - 3 Work on depth in the space using complementary color contrast, composition wheels, artificial light and natural light
Week - 4 Distribution areas of tonal and saturated values ​​of complementary colors in composition.
Week - 5 Enlarging the format with hot and cold color contrasts, using perspective and close-up studies
Week - 6 Cold and warm color contrasts in the composition. A study that questions the concept of depth in space
Week - 7 A work in which the contrasts of cold, warm and color in the composition, the proportion-proportion relationships of the figure in a closed space.
Week - 8 The search for color in tonal equality. A study in which the figure will show the relationship between proportion and proportion outdoors
Week - 9 Questioning the plans of painting with the concepts of balance and harmony in color rhythm, single-figure and multi-figure compositions
Week - 10 A work to be created by taking into account the concepts of local color and superficial form, balance and rhythm in the composition of the figure.
Week - 11 Local Color and shallow form. 17. Transferring the interpretation and analysis of the figures used in the paintings on interior spaces starting from the 19th century until today with the collage method
Week - 12 Transferring the interpretation and analysis of the figures used in the paintings with outdoor space from the Renaissance to the present, depending on their position in the composition, using the collage method.
Week - 13 Color psychology and atmosphere. A work that divides the figure geometrically with the use of perspective and places it in the space
Week - 14 A work that divides the figure geometrically and places it in the space with the use of texture perspective.

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Assessment Method and Passing Requirements
Quamtity Percentage (%)
1.Midterm Exam 1 30
Final Exam 1 40
Final Exam 1 70
Project 1 30
Toplam (%) 170

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