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About the Programme Academic Staff Program Qualifications Lessons Matrix of Course & Program Qualifications Turkish Qualifications Framework (TQF) TQF & Program Qualifications
  1. School of Music and Drama
  2. Department of Music
  3. Department of Composition and Conducting
  4. Program in Composing
  5. Course Structure Diagram with Credits
  6. Composition Seminar III
  7. Description
  • Description
  • Learning Outcomes
  • ECTS Credit Load
  • Course's Contribution to Program
  • Learning Outcomes & Program Qualifications
Last Updated: 30/09/2026

Code - Course Title Course Type Laboratory + Practice ECTS
KMP205 - Composition Seminar III III. SEMESTER 2 +0 2.0
Language of Instruction Türkçe
Course Type Required Courses
Course Instructor(s) DOÇ. DR. ONUR DÜLGER
Mode of Delivery The mode of delivery of this course is Face to face
Place of Delivery
Used Educational Platforms
Prerequisites There is no prerequisite or co-requisite for this course.
Courses Recomended There is no recommended optional programme component for this course.
Recommended Resources GOTTSCHALK, J. Experimental Music Since 1970. Bloomsbury Academic, 2016.RUTHERFORD-JOHNSON, T. Music After The Fall. Univ Of California Press, 2017.GRIFFITHS, P. Aleatory, Macmillan Publishers, 2001.Taruskin, R., Music in the Seventeenth and Eighteenth Century:: The Oxford History of Western Music, Oxford University Press, 2009.
Work Placement N/A
Aims of the Course

Weeks Learning Outcomes Topics Teaching Methods
Week - 1 Indeterminacy, Aleatoric and Chance Music.
Week - 2 Analysis of Charles Ives and stylistic study.
Week - 3 Analysis of Henry Cowell and stylistic study.
Week - 4 Analysis of Witold Lutoslawski and stylistic study.
Week - 5 Analysis of John Cage and stylistic study.
Week - 6 Analysis of Morton Feldman and stylistic study.
Week - 7 Open Form: Analysis of Earle Brown and stylistic study.
Week - 8 Recent Music: Recording and concert or stage presentation in festival.
Week - 9 Presentation of concept and content.
Week - 10 Discussion on technique and aesthetique.
Week - 11 Production of Composition: Music for solo brass instrument, Music for mixed group of 5 to 8 players.
Week - 12 Production of Composition: Music for solo brass instrument, Music for mixed group of 5 to 8 players.
Week - 13 Production of Composition: Music for solo brass instrument, Music for mixed group of 5 to 8 players.
Week - 14 Production of Composition: Music for solo brass instrument, Music for mixed group of 5 to 8 players.

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Assessment Method and Passing Requirements
Quamtity Percentage (%)
Toplam (%)

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