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Week - 1 |
Theory: "A black box" model of musical instruments
Solmization: The fifteenth chapter of the Jean MArc Allarme Book vol. III |
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Week - 2 |
Teori: Stringed instruments
Solmization: The sixteenth chapter of the Jean Marc Allarme Book Vol. III |
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Week - 3 |
Theory: Wind instruments
Solmization: The seventeenth chapter of the Jean MArc Allarme Book Vol. III |
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Week - 4 |
Theory: Percussion instruments
Solmization: The eighteenth chapter of the Jean Marc Allarme Book Vol. III |
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Week - 5 |
Theory: The speaking and singing voice
Solmization: The nineteenth chapter of the Jean MArc Allarme Book Vol. III |
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Week - 6 |
Theory: What is timbre?
Solmization: Twentieth chapter of the Jean MArc Allarme Book Vol. III |
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Week - 7 |
Theory: Acoustics of the timbre
Solmization: The twentyfirst chapter of the Jean Marc Allarme Book Vol. III |
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Week - 8 |
Theory: Psychoacoustics of timbre
Solmization: The twentysecond chapter of the Jean Marc Allarme Book Vol. III |
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Week - 9 |
Theory: The pipe organ as a timbral synthesizer
Solmization: The twentythird chapter of the Jean MArc Allarme Book Vol. III |
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Week - 10 |
Theory: Deceiving the ear
Solmization: The twentyfourth chapter of the Jean MArc Allarme Book Vol. III |
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Week - 11 |
Theory: Energy-Time consideration
Solmization: The twentyfifth chapter of the Jean MArc Allarme Book Vol. III |
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Week - 12 |
Theory: Filtering; Equalisation and tone controls and other effects
Solmization: The twentysixth chapter of the Jean Marc Allarme Book Vol. III |
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Week - 13 |
Theory: Pitch processing and time modification
Solmization: The twentyseventh chapter of the Jean Marc Allarme Book Vol III |
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Week - 14 |
END OF COURSE |
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