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LO-1
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Distinguishes different decorative styles that emerged throughout the historical development of Çini art (Milet, Blue-and-White, Damascus ware, etc.) through their aesthetic characteristics. |
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LO-2
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Analyzes the classical Çini schools developed by master nakkaş artists who left their mark on the period, such as Baba Nakkaş, Şahkulu, and Kara Memi, in terms of form and motif. |
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LO-3
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Applies classical motifs, color palettes, and composition rules specific to Çini decorations from different periods onto paper and forms in the workshop environment. |
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LO-4
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Produces original designs by reinterpreting traditional Çini decoration techniques on contemporary Çini and ceramic surfaces. |
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LO-5
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Examines decoration, glaze, and painting techniques in historical Çini works and gains the theoretical and practical visual memory required for restoration/conservation practices. |