| Language of Instruction |
Türkçe |
| Course Type |
Required Courses |
| Course Instructor(s) |
PROF. DR. BERKANT GENÇKAL, DOÇ. DR. ONUR DÜLGER |
| Mode of Delivery |
The mode of delivery of this course is Face to face |
| Prerequisites |
There is no prerequisite or co-requisite for this course. |
| Courses Recomended |
There is no recommended optional programme component for this course. |
| Recommended Reading List |
XENAKIS, I. Formalized Music, Pendragon Press, 2001. ULEHLA, L. Contemporary Harmony, Advance Music, 1994.COPE, D. New Music Composition, Schirmer Books, 1977.Taruskin, R., Music in the Seventeenth and Eighteenth Century:: The Oxford History of Western Music, Oxford University Press, 2009. |
| Assessment methods and criteria |
1 mid-term exam and 1 final exam |
| Work Placement |
N/A |
| Catalog Content |
Serial and Post-Serial Music: Pierre Boulez review and style study, Karlheinz Stockhaussen review and style study; Post-Tonality Music: Set theory and study, Milton Babbit review and style study; Futurism: Russolo and intonarumori, Art of noises; Early Electronic Music: Theremin, Ondes martenot, Trautonium, Tape music; Contemporary Music: Recording and festival recital or screening, Concept and content presentation, Technical and aesthetic discussion; Composition Production: Music for solo woodwind instrument, music for mixed ensemble of 2-5 people. |
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