| Language of Instruction |
Türkçe |
| Course Type |
Required Courses |
| Course Instructor(s) |
ESİN NİLAY ZENGİN |
| Mode of Delivery |
The mode of this course is face to face and online |
| Prerequisites |
There is no prerequisite or co-requisite for this course. |
| Courses Recomended |
There is no recommended optional programme component for this course. |
| Recommended Reading List |
Montagu, J. (2007). Origins and development of musical instruments. Scarecrow Press.Marshall, J. C. (1980). The new organology. Behavioral and Brain Sciences, 3(1), 23-25.Magnusson, T. (2017). Musical organics: a heterarchical approach to digital organology. Journal of New Music Research, 46(3), 286-303.Von Hornbostel, E. M., & Sachs, C. (1961). Classification of musical instruments: Translated from the original german by anthony baines and klaus p. wachsmann. The Galpin Society Journal, 3-29.Focht, J. (2021). Zupfinstrumente in der Digital Organology. Phoibos-Zeitschrift für Zupfmusik, 19, 7-28. |
| Assessment methods and criteria |
1 midterm exam and 1 final exam |
| Work Placement |
N/A |
| Catalog Content |
Newly Created, Recognized, or Discovered Instruments; Classification of Instruments; Sachs-Hornbostel Instrument Classification; 19th Century Instruments; The Sounds of Science; Sound Inventions The Origin of Electric Musical Instruments; Acoustic Physics and Acousticians in The 19th Century; Helmholtz’s Resonators; Wurlitzer Organ (1853); Electromechanical Piano (1867); Max Kohl’s Sound Synthesiser (1885-1905); Telharmonium (1897); Singing Arc (1899). |
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