| Language of Instruction |
Türkçe |
| Course Type |
Required Courses |
| Course Instructor(s) |
PROF. DR. BERKANT GENÇKAL |
| Mode of Delivery |
The mode of delivery of this course is Face to face |
| Prerequisites |
There is no prerequisite or co-requisite for this course. |
| Courses Recomended |
There is no recommended optional programme component for this course. |
| Recommended Reading List |
GOTTSCHALK, J. Experimental Music Since 1970. Bloomsbury Academic, 2016.RUTHERFORD-JOHNSON, T. Music After the Fall. University of California Press, 2017.GRIFFITHS, P. Modern Music and After, Oxford University Press, 2011.COPE, D. New Music Composition, Schirmer Books, 1977. |
| Assessment methods and criteria |
1 mid-term exam and 1 final exam |
| Work Placement |
N/A |
| Catalog Content |
New Complexity Review and Techniques: Brian Ferneyhough review and style study, Kaija Czernowin review, Liza Lim review style study; Radical Complexity: Karl Klaus Huber examination, Claus-Steffen Mahnkopf examination, Aaron Cassidy examination style study, Timothy Mccormack examination, Marek Poliks examination, Andrew Greenwald examination; Sound Synthesis Techniques; Sound Analysis Techniques; Current Music: Recording and festival listening or presentation, Concept and content presentation, Technical and aesthetic discussion; Composition Production: Music for Solo Harp and electronics, Music for small ensemble. |
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