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Week - 1
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Introduction to the objectives, scope, and methodology of the course. Overview of the historical development of compositional thought and fundamental analytical approaches in music analysis. |
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Week - 2
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Examination of the fundamental characteristics of Baroque musical language, including counterpoint, polyphonic texture, basso continuo, and formal organization. Stylistic analysis of selected repertoire. |
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Week - 3
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Study of formal balance, thematic development techniques, and tonal organization in the Classical period, supported by analytical examination of selected works. |
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Week - 4
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Exploration of the expanded harmonic language, expressive aesthetics, and narrative intensity of the Romantic period, with comparative stylistic and structural analysis. |
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Week - 5
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Investigation of the transformation of tonality and emerging harmonic and formal approaches in the early modern period. |
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Week - 6
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Study of polyphonic writing techniques and the historical development of contrapuntal practices, with analysis of representative examples from different periods. |
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Week - 7
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Examination of tonal and modal systems in compositional practice and the concept of extended tonality. |
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Week - 8
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Theoretical foundations of twelve-tone technique and principles of serial organization, supported by analytical study of selected works. |
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Week - 9
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Study of aleatory music, the concept of indeterminacy, and open-form compositional approaches. |
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Week - 10
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Score-based analysis of selected works, focusing on formal design, harmonic language, and textural organization. |
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Week - 11
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Evaluation of composers' stylistic characteristics, aesthetic perspectives, and strategies of musical expression. |
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Week - 12
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Student presentations featuring analytical studies on selected works or composers. |
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Week - 13
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Continuation of student presentations followed by critical academic discussions. |
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Week - 14
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Guest composer session and discussion of contemporary compositional approaches. Comprehensive review and evaluation of the course topics. |
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