Anadolu Info Package Anadolu Info Package
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About the Programme Academic Staff Program Qualifications Lessons Matrix of Course & Program Qualifications Turkish Qualifications Framework (TQF) TQF & Program Qualifications
  1. Faculty of Fine Arts
  2. Department of Painting
  3. Course Structure Diagram with Credits
  4. Invention and Composition I
  5. Description
  • Description
  • Learning Outcomes
  • ECTS Credit Load
  • Course's Contribution to Program
  • Learning Outcomes & Program Qualifications
Last Updated: 08/10/2026

Code - Course Title Course Type Laboratory + Practice ECTS
RSM335 - Invention and Composition I V. SEMESTER 3 +3 7.0
Language of Instruction Türkçe
Course Type Area Elective Courses
Course Instructor(s) PROFESÖR LEYLA VARLIK ŞENTÜRK
Mode of Delivery FACE TO FACE
Place of Delivery On Campus
Used Educational Platforms Face-to-face
Prerequisites NO
Courses Recomended PAINTİNG, DRAWING
Recommended Resources SANATIN SONU (Donald Kuspit, Metis Yayınları,)O ANA ADANMIŞ (John Berger, metis yayınları)NİETZSCHE ÖLDÜ! BİR HİPOPOTAM OLARAK YENİDEN DOĞDU (Thomas Catchcart-Daniel Klein) aylak kitapGÖZ VE TİN ( Maurice Meleau-Ponty, Metis Yayınları,)GÜNLÜK YAŞAMDAN SANATA (Umberto Echo, Can Yayınları)SOYUTLAMA VE ÖZDEŞLEYİM (Wilhelm Worringer, Hayalperest yayınlarıGÖRSEL YOLCULUKLAR (Ferit Edgü, Yapı Kredi Yayınları,)ÖZGÜRLEŞEN SEYİRCİ (Jacques Ranciere, Metis Yayınları) YİRMİNCİ YÜZYILDA SANATI OKUYANLAR (Chris Murray, Sel Yayıncılık,)SOYUTLAMA VE ÖZDEŞLEYİM (Wilhelm Worringer, Hayalperest yayınlarıGÖRSEL YOLCULUKLAR (Ferit Edgü, Yapı Kredi Yayınları,)FELSEFENİN ÖYKÜSÜ-II ÇAĞDAŞ FELSEFE ( Frank Thilly, İzdüşüm YayınlarıSANAT ESTETİK POLİTİKA (Kültür-Sanat Konferansı Tebliği) SİNEMA VE MODERNLİK (John Orr, Bilim ve Sanat Yayınları, Sorun YayınlarıGÖRMECE (Mehmet Ergüven, Metis Yayınları,)İMAJ, GÖRMENİN KÜLTÜR VE POLİTİKASI (Kevin Robins, , Ayrıntı yayınları,)PİCASSO’NUN BAŞARISI VE BAŞARISIZLIĞI ( John Berger, Metis Yayınları,)GÖRSEL SANATLARDA ANLAM VE ALGI (Prof.Güler Ertran-Emin Sansarcı, Alternatif Yayıncılık20. YÜZYIL BATI SANATINDA AKIMLAR ( Ahu Antmen, Sel Yayıncılık,)SANATTA ANLAMIN GÖRÜNTÜSÜ, İMGELERİN TOPLUMSAL İŞLEVİ, (Richard Lepperd, Ayrıntı Yayınları,)YARATMA CESARETİ ( Rollo May, Metis Yayınları,)SANAT FELSEFESİ ÜZERİNE (Cevad Memduh Altar), Pan YayınlarıSANATIN FELSEFESİ FELSEFENİN SANATI (Mehmet Yılmaz, Ütopya YayıneviGÖRSEL SANATLARDA ANLAM VE ALGI (Prof.Güler Ertran-Emin Sansarcı, Alternatif Yayıncılık20. YÜZYIL BATI SANATINDA AKIMLAR ( Ahu Antmen, Sel Yayıncılık,)SANATTA ANLAMIN GÖRÜNTÜSÜ, İMGELERİN TOPLUMSAL İŞLEVİ, (Richard Lepperd, Ayrıntı Yayınları,)
Work Placement NO
Aims of the Course Two-dimensional original works: Possibilities of textile products, colored and colorless fabrics, cloths with textural differences, possibilities of various yarns, and possibilities of synthetic materials; two-dimensional narrative possibilities using transparent, semi-transparent, colored, and colorless nylons, and two-dimensional experimental research through the combination of these materials.

Weeks Learning Outcomes Topics Teaching Methods
Week - 1 MATERIAL-SPACE, with experimental researches such as new searches and self-expression styles, taking into account today's life styles beyond the classical genres, materials and techniques of painting, Questioning their relations, developing a project / study / presenting alternatives as a visual representation Lecture Critique/Critical Reading Practice/Practical Work/Workshop
Week - 2 MATERIAL-SPACE with experimental researches and self-expression styles such as new searches by considering today's life styles beyond the classical genres, materials and techniques of painting, Questioning their relations, developing a project / study / presenting alternatives as a visual representation Lecture Critique/Critical Reading Practice/Practical Work/Workshop
Week - 3 MATERIAL-SPACE with experimental researches and self-expression styles such as new searches by considering today's life styles beyond the classical genres, materials and techniques of painting, Questioning their relations, developing a project / study / presenting alternatives as a visual representation Lecture Critique/Critical Reading Practice/Practical Work/Workshop
Week - 4 MATERIAL-SPACE with experimental researches and self-expression styles such as new searches by considering today's life styles beyond the classical genres, materials and techniques of painting, Questioning their relations, developing a project / study / presenting alternatives as a visual representation Lecture Critique/Critical Reading Practice/Practical Work/Workshop
Week - 5 MATERIAL-SPACE with experimental researches and self-expression styles such as new searches by considering today's life styles beyond the classical genres, materials and techniques of painting, Questioning their relations, developing projects / studies / presenting them to the audience as a visual representation, with the possibilities of the products produced, original works Lecture Critique/Critical Reading Practice/Practical Work/Workshop
Week - 6 MATERIAL-SPACE with experimental researches and self-expression styles such as new searches by considering today's life styles beyond the classical genres, materials and techniques of painting, Questioning their relations, developing projects / studies / presenting them to the audience as a visual representation, with the possibilities of the products produced, original works Lecture Critique/Critical Reading Practice/Practical Work/Workshop
Week - 7 LO-1 LO-2 LO-3 LO-6 LO-10 LO-11 LO-12 midterm Observation Question & Answer Discussion Case Study Critique/Critical Reading
Week - 8 Questioning MATERIAL-CONCEPT associations, transforming them into art objects, new searches and alternative suggestions in artistic expression, producing projects / work / work and presenting them to the audience Lecture Proje Design/Management Critique/Critical Reading Practice/Practical Work/Workshop
Week - 9 Questioning MATERIAL-CONCEPT associations, transforming them into art objects, new searches and alternative suggestions in artistic expression, producing projects / work / work and presenting them to the audience Lecture Proje Design/Management Critique/Critical Reading Practice/Practical Work/Workshop
Week - 10 Questioning MATERIAL-CONCEPT associations, transforming them into art objects, new searches and alternative suggestions in artistic expression, producing projects / work / work and presenting them to the audience Lecture Proje Design/Management Critique/Critical Reading Practice/Practical Work/Workshop
Week - 11 Beyond the classical genres, materials and techniques of painting, experimental researches such as new searches by taking into account today's life styles, and self-expression styles, as well as alternatives to questioning MATERIAL-CONTENT, developing a project / work / presenting it to the audience as visual expression Lecture Proje Design/Management Critique/Critical Reading Practice/Practical Work/Workshop
Week - 12 Beyond the classical genres, materials and techniques of painting, experimental researches such as new searches by taking into account today's life styles, and self-expression styles, as well as alternatives to questioning MATERIAL-CONTENT, developing a project / work / presenting it to the audience as visual expression Lecture Proje Design/Management Critique/Critical Reading Practice/Practical Work/Workshop
Week - 13 Beyond the classical genres, materials and techniques of painting, experimental researches such as new searches by taking into account today's life styles, and self-expression styles, as well as alternatives to questioning MATERIAL-CONTENT, developing a project / work / presenting it to the audience as visual expression Lecture Proje Design/Management Critique/Critical Reading Practice/Practical Work/Workshop
Week - 14 Beyond the classical genres, materials and techniques of painting, experimental researches such as new searches by taking into account today's life styles, and self-expression styles, as well as alternatives to questioning MATERIAL-CONTENT, developing a project / work / presenting it to the audience as visual expression Lecture Proje Design/Management Critique/Critical Reading Practice/Practical Work/Workshop

  • Quality Education

  • Media, Design and Creative Arts

  • Oral Examination Performance Assessment (Individual/Panel-Based)

Assessment Method and Passing Requirements
Quamtity Percentage (%)
1.Midterm Exam 1 50
Final Exam 1 50
Toplam (%) 100

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