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Week - 1
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LO-1
LO-3
LO-6
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Introduction to contemporary expression and the research–experiment–presentation/approval–production structure. Movement, duration, the body, colour, light and space. Assignment: a research question/concept draft, a sourced atlas of historical and contemporary works, and a material/tool inventory. |
Lecture
Brain Storming
Proje Design/Management
Research and Inquiry
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Week - 2
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LO-1
LO-3
LO-4
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Kinetic art: sources of movement, rhythm, balance, chance and the audience; physical versus optical movement. Material/mechanism experiments. Assignment: comparative movement prototypes, sketches and observation records; developing the project proposal. |
Lecture
Observation
Experiment
Practice/Practical Work/Workshop
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Week - 3
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LO-3
LO-4
LO-5
LO-6
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Presentation, discussion and approval of research proposals and experiments. Concept, technique, dimensions, space and audience decisions for the kinetic work. Assignment: a 15–20-slide/10-minute production presentation with experiment results, a model and installation/safety plan. |
Discussion
Proje Design/Management
Critique/Critical Reading
Research and Inquiry
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Week - 4
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LO-3
LO-4
LO-5
LO-6
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Approval of kinetic work proposals and the start of production. Movement in relation to meaning; testing mechanisms, supports, cycles and audience distance. Assignment: a production prototype and process video; initial conceptual research for a video/performance work. |
Experiment
Proje Design/Management
Critique/Critical Reading
Practice/Practical Work/Workshop
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Week - 5
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LO-1
LO-3
LO-4
LO-6
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Video art: framing, duration, loops, editing, sound and multiple screens; translating the research question into time-based expression. Assignment: a storyboard, short video/sound experiments and source analysis; progress documentation of the kinetic work. |
Lecture
Experiment
Practice/Practical Work/Workshop
Document/Text/Data Analysis
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Week - 6
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LO-1
LO-3
LO-4
LO-5
LO-6
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Performance and installation: body, action, duration, audience and space; relationships between live action and video recording. Presentation and approval of video/performance proposals. Assignment: an action score, rehearsal and documented prototype; completion of the kinetic work. |
Discussion
Experiment
Proje Design/Management
Practice/Practical Work/Workshop
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Week - 7
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LO-4
LO-5
LO-6
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Group critique, presentation and portfolio pre-check of kinetic and video/performance works. Midterm preparation: main works, experiments/prototypes, presentations, research journal and a reasoned reflection. Review of movement, duration, concept–technique coherence and audience relationships. |
Discussion
Proje Design/Management
Interview
Critique/Critical Reading
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Week - 8
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LO-2
LO-3
LO-5
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Midterm feedback. Colour and light in transparent/translucent materials; transmission, reflection, refraction, shadows and layers. Assignment: comparative light/material tests, colour notes and a colour–light project draft. |
Lecture
Observation
Experiment
Practice/Practical Work/Workshop
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Week - 9
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LO-2
LO-3
LO-5
LO-6
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Colour–light–space relationships: natural/artificial light, surfaces, layers and viewer position. Critique of models and tests. Assignment: a presentation, spatial plan, lighting diagram, material rationale and documentation draft for a transparency-based work. |
Observation
Proje Design/Management
Critique/Critical Reading
Research and Inquiry
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Week - 10
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LO-2
LO-4
LO-5
LO-6
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Approval and production of colour/light proposals. Spatial composition with transparent/translucent surfaces; experiments with moving light and changing perception. Assignment: a prototype and photo/video records from different viewer positions; a final synthesis proposal. |
Experiment
Proje Design/Management
Critique/Critical Reading
Practice/Practical Work/Workshop
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Week - 11
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LO-1
LO-3
LO-4
LO-5
LO-6
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Final synthesis: combining or selecting kinetic, video, performance and colour/light possibilities according to the project question. Discussion of conceptual coherence and display. Assignment: a final presentation, storyboard/model, audience route, installation/deinstallation plan and artist-statement draft. |
Discussion
Proje Design/Management
Critique/Critical Reading
Research and Inquiry
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Week - 12
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LO-2
LO-4
LO-5
LO-6
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Approval of final proposals; production, installation and rehearsal. Testing connections between image/sound, light, movement and materials; technical reliability and safety. Assignment: an installation prototype, audience observations, revision notes and a research-report draft. |
Observation
Experiment
Proje Design/Management
Practice/Practical Work/Workshop
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Week - 13
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LO-4
LO-5
LO-6
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Finishing decisions and rehearsal from the audience perspective; peer critique. Documenting time-based works with video, photographs, plans, action scores and labels. Assignment: finished works, research report/artist statement and digital portfolio. |
Critique/Critical Reading
Demonstration and Practice
Practice/Practical Work/Workshop
Research and Inquiry
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Week - 14
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LO-2
LO-4
LO-5
LO-6
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End-of-semester group critique and exhibition rehearsal. A reasoned presentation of experiment–proposal–production relationships and colour/light and time/space decisions. Final portfolio: projects, prototype/experiment records, presentations, research report, artist statement and portfolio; deinstallation and material reuse plan. |
Discussion
Proje Design/Management
Critique/Critical Reading
Practice/Practical Work/Workshop
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