|
Week - 1
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Kar, Karçe, Beste, Ağır Semai, Yürük Semai and reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 2
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Kar, Karçe, Beste, Ağır Semai, Yürük Semai and reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 3
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Kar, Karçe, Beste, Ağır Semai, Yürük Semai and reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 4
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Kar, Karçe, Beste, Ağır Semai, Yürük Semai and reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 5
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Kar, Karçe, Beste, Ağır Semai, Yürük Semai and reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 6
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Kar, Karçe, Beste, Ağır Semai, Yürük Semai and reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 7
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Kar, Karçe, Beste, Ağır Semai, Yürük Semai and reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 8
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Peşrev, Saz Semaisi, Longa, Sirto, Oyun Havası and Mandra reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 9
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Peşrev, Saz Semaisi, Longa, Sirto, Oyun Havası and Mandra reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 10
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Peşrev, Saz Semaisi, Longa, Sirto, Oyun Havası and Mandra reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 11
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Peşrev, Saz Semaisi, Longa, Sirto, Oyun Havası and Mandra reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 12
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Peşrev, Saz Semaisi, Longa, Sirto, Oyun Havası and Mandra reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 13
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Peşrev, Saz Semaisi, Longa, Sirto, Oyun Havası and Mandra reaching a deeper understanding of forms by listening pieces. |
|
|
Week - 14
|
|
Examining non-religious forms of Turkish maqamic music, listening relevant examples, particular formal examination vocal music forms including Peşrev, Saz Semaisi, Longa, Sirto, Oyun Havası and Mandra reaching a deeper understanding of forms by listening pieces. |
|