| İNG167-English I | | | | | | | | | | | | | | | | | | |
| İNG269-English III | | | | | | | | | | | | | | | | | | |
| İNG375-English V | | | | | | | | | | | | | | | | | | |
| MÜZ147-Tonal Music Theory and Ear Training I | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| MÜZ161-Maqam Theory and Ear Training I | 3 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 3 | 1 | 2 | 3 | 3 | 0 | 0 | 1 | 1 |
| MÜZ171-Music History I | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| MÜZ247-Tonal Music Theory and Solmization I | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| MÜZ253-Maqam Theory and Solmization I | 3 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 |
| MÜZ273-Music History III | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| MÜZ293-Vocal Training I | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| MÜZ295-Complementary Instrument I | 0 | 3 | 0 | 3 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 | 0 | 0 |
| MÜZ373-Tonal Music Analysis I | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| MÜZ375-Maqam Analysis I | 3 | 2 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 1 |
| MÜZ397-Complementary Instrument III | 3 | 2 | 2 | 3 | 2 | 3 | 3 | 2 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 3 | 1 | 2 |
| MÜZ465-Maqam Analysis III | 3 | 2 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 1 |
| MÜZ467-Folk Music Knowledge I | 3 | 1 | 2 | 1 | 3 | 2 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 2 | 3 | 3 | 2 | 3 |
| MÜZ470-Field Research and Compilation Techniques | | | | | | | | | | | | | | | | | | |
| MÜZ493-Complementary Instrument V | | | | | | | | | | | | | | | | | | |
| MÜZ903-Decipher I | 3 | 3 | 0 | 3 | 2 | 3 | 3 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 |
| MÜZ905-Improvisation I | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 0 | 0 | 2 | 0 |
| MZK223-Harmony I | | | | | | | | | | | | | | | | | | |
| TMÜ101-Instrument I | 2 | 3 | 2 | 3 | 2 | 3 | 3 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 2 |
| TMÜ103-Music Ensembles I | 1 | 3 | 1 | 3 | 1 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
| TMÜ113-Secondary Piano I | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| TMÜ201-Instrument III | 3 | 3 | 2 | 3 | 3 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 3 | 1 | 1 |
| TMÜ203-Music Ensembles III | 0 | 3 | 0 | 3 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
| TMÜ205-Tempos in Turkish Music I | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| TMÜ207-Turkish Music Choir I | 0 | 1 | 0 | 2 | 1 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
| TMÜ217-Performance Style and Repertory I | 2 | 2 | 2 | 3 | 2 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 2 |
| TMÜ301-Instrument V | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 3 | 1 | 2 |
| TMÜ303-Music Ensembles V | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 2 |
| TMÜ305-History of Turkish Music I | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 |
| TMÜ307-Knowledge of Form in Turkish Music I | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 2 |
| TMÜ311-Written Sources of Turkish Music I | | | | | | | | | | | | | | | | | | |
| TMÜ401-Instrument VII | 2 | 3 | 1 | 3 | 2 | 3 | 3 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 3 | 2 |
| TMÜ403-Music Ensembles VII | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 2 |
| TMÜ405-Turkish Music Composition Styles I | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 1 | 1 | 0 |
| TMÜ409-Sound Systems in Turkish Music | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| TMÜ417-Lyrics Analysis in Turkish Music I | 0 | 0 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 |
| TÜR105-Ottoman Turkish I | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |