| Key Learning Outcomes | 1 | 2 | 3 | 4 | 5 | 6 |
| Career Planning | | | | | | |
| Cultural Activities | | | | | | |
| Contemporary Theatre Texts | 2 | 3 | 2 | 0 | 1 | 3 |
| Theatre and Mythology I | 2 | 2 | 3 | 1 | 0 | 3 |
| Theatre and Mythology II | | | | | | |
| Korean Culture and Arts | 0 | 2 | 1 | 1 | 1 | 3 |
| Cinema | | | | | | |
| Atatürk's Principles and History of Turkish Revolution I | | | | | | |
| Atatürk's Principles and History of Turkish Revolution II | | | | | | |
| Play Reading I | 3 | 3 | 2 | 1 | 1 | 3 |
| Play Reading II | 3 | 2 | 1 | 2 | 3 | 3 |
| Fundamental Concepts of Art I | 2 | 2 | 2 | 1 | 1 | 3 |
| Fundamental Concepts of Art II | 3 | 3 | 2 | 0 | 2 | 3 |
| Introduction to Stage | 3 | 2 | 1 | 1 | 3 | 1 |
| History of Theatre and Theory I | 3 | 3 | 3 | 3 | 3 | 3 |
| History of Theatre and Theory II | 3 | 3 | 3 | 3 | 1 | 3 |
| Language Diction I | 3 | 2 | 2 | 3 | 3 | 2 |
| Language Diction II | 3 | 2 | 1 | 2 | 3 | 2 |
| Physical Awareness in Acting I | 1 | 0 | 0 | 0 | 1 | 2 |
| Physical Awareness in Acting II | 0 | 0 | 0 | 0 | 1 | 2 |
| Movement I | 2 | 1 | 0 | 3 | 3 | 3 |
| Movement II | 2 | 1 | 0 | 3 | 3 | 3 |
| Improvisation I | 2 | 2 | 2 | 3 | 3 | 2 |
| Improvisation II | 2 | 2 | 2 | 3 | 3 | 2 |
| Singing I | 0 | 0 | 0 | 0 | 0 | 3 |
| Singing II | 0 | 0 | 0 | 0 | 0 | 3 |
| Solfege I | 0 | 3 | 0 | 0 | 0 | 3 |
| Solfege II | 0 | 3 | 0 | 0 | 0 | 3 |
| Introduction to Acting I | 2 | 2 | 2 | 2 | 3 | 3 |
| Introduction to Acting II | 2 | 2 | 2 | 2 | 3 | 3 |
| Dramaturgy I | 3 | 3 | 2 | 1 | 1 | 1 |
| Dramaturgy II | 3 | 2 | 2 | 1 | 1 | 1 |
| Technical Design I | 3 | 2 | 3 | 3 | 2 | 2 |
| Technical Design II | 3 | 3 | 3 | 3 | 3 | 3 |
| Introduction to Role I | 3 | 2 | 3 | 3 | 3 | 1 |
| Introduction to Role II | 2 | 3 | 1 | 3 | 3 | 1 |
| Introduction to the Concept of Game | 1 | 3 | 2 | 1 | 0 | 2 |
| History of Theatre and Theory III | 3 | 3 | 3 | 3 | 3 | 3 |
| History of Theatre and Theory IV | 3 | 3 | 3 | 3 | 1 | 3 |
| Motion Theatre I | 2 | 1 | 1 | 3 | 3 | 2 |
| Motion Theatre II | 2 | 2 | 3 | 2 | 3 | 3 |
| Language Diction III | 3 | 2 | 2 | 3 | 3 | 2 |
| Language Diction IV | 3 | 2 | 2 | 3 | 3 | 2 |
| Singing-Solfege I | 2 | 1 | 0 | 2 | 3 | 3 |
| Singing-Solfege II | 2 | 1 | 0 | 2 | 3 | 3 |
| Movement III | 2 | 1 | 0 | 3 | 3 | 3 |
| Movement IV | 2 | 1 | 0 | 3 | 3 | 3 |
| Improvisation III | 2 | 2 | 2 | 3 | 3 | 3 |
| Improvisation IV | 3 | 3 | 2 | 3 | 3 | 3 |
| Dramaturgy III | | | | | | |
| Dramaturgy IV | | | | | | |
| Republic Era Turkish Theatre | 3 | 3 | 3 | 3 | 2 | 2 |
| Children Theatre I | 2 | 2 | 2 | 1 | 1 | 3 |
| Children Theatre II | 3 | 3 | 3 | 3 | 3 | 3 |
| Traditional Turkish Theatre Practice | 3 | 3 | 2 | 3 | 3 | 2 |
| Technical Design Practice I | 3 | 3 | 2 | 2 | 3 | 3 |
| History and Theory of Theatre V | 3 | 3 | 3 | 3 | 3 | 3 |
| History and Theory of Theatre VI | 3 | 3 | 3 | 3 | 2 | 3 |
| Career in Performing Arts | 3 | 3 | 1 | 3 | 2 | 3 |
| Dance I | 2 | 1 | 0 | 3 | 3 | 3 |
| Dance II | 2 | 1 | 0 | 3 | 3 | 3 |
| Acting I | 3 | 3 | 3 | 3 | 3 | 3 |
| Acting II | 3 | 3 | 3 | 3 | 3 | 3 |
| Stage Work I | 2 | 3 | 0 | 3 | 3 | 2 |
| Stage Work II | 3 | 3 | 1 | 3 | 3 | 2 |
| Voice-Speech Stage Practice I | 2 | 2 | 1 | 3 | 3 | 3 |
| Voice-Speech Stage Practice II | 1 | 1 | 1 | 2 | 3 | 3 |
| Rehearsal Techniques I | 2 | 3 | 1 | 3 | 2 | 1 |
| Rehearsal Techniques II | 2 | 3 | 2 | 3 | 3 | 3 |
| Musical Theatre I | 3 | 1 | 0 | 0 | 2 | 3 |
| Musical Theatre II | 2 | 3 | 2 | 2 | 3 | 3 |
| Body Awareness I | 1 | 0 | 0 | 0 | 0 | 3 |
| Acting in Cinema I | 3 | 3 | 3 | 3 | 3 | 3 |
| Dramatic Literature I | 2 | 3 | 2 | 0 | 1 | 3 |
| Individual Project I | 3 | 3 | 1 | 3 | 3 | 2 |
| Individual Project II | 3 | 3 | 1 | 3 | 3 | 2 |
| Current Issues in Theatre I | 3 | 3 | 3 | 3 | 3 | 3 |
| Current Issues in Theatre II | 3 | 3 | 3 | 3 | 3 | 3 |
| Project-Play I | 3 | 3 | 2 | 3 | 3 | 1 |
| Project-Play II | 3 | 3 | 1 | 3 | 3 | 2 |
| Project-Play III | | | | | | |
| Turkish Theatre Prior to Republic Era | 3 | 3 | 3 | 3 | 3 | 3 |
| Dance III | 2 | 1 | 0 | 3 | 3 | 3 |
| Dance IV | 2 | 1 | 0 | 3 | 3 | 3 |
| Acting III | 3 | 3 | 3 | 3 | 3 | 3 |
| Acting IV | 3 | 3 | 3 | 3 | 3 | 3 |
| Stage Work III | 3 | 3 | 2 | 3 | 3 | 3 |
| Stage Work IV | 3 | 3 | 2 | 2 | 2 | 2 |
| Collaborate Work I | 3 | 2 | 1 | 2 | 3 | 3 |
| Collaborate Work II | 3 | 2 | 1 | 2 | 3 | 3 |
| Stage and Scene Applications in Cinema I | 1 | 2 | 1 | 3 | 3 | 3 |
| Cinema and Television Acting Practice I | 3 | 2 | 1 | 3 | 3 | 3 |
| Cinema and Television Acting Practice II | 2 | 3 | 0 | 3 | 3 | 3 |
| Western Musicals | 1 | 3 | 1 | 2 | 3 | 3 |
| Turkish Language I | 3 | 2 | 2 | 3 | 3 | 2 |
| Turkish Language II | 3 | 2 | 2 | 3 | 3 | 2 |
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