Week - 1 |
Light-dark composition, observational work on the interior and exterior. |
Week - 2 |
Color saturation in grayscale values, imaginary work on indoor and outdoor space |
Week - 3 |
Work on depth in the space using complementary color contrast, composition wheels, artificial light and natural light |
Week - 4 |
Distribution areas of tonal and saturated values of complementary colors in composition. |
Week - 5 |
Enlarging the format with hot and cold color contrasts, using perspective and close-up studies |
Week - 6 |
Cold and warm color contrasts in the composition. A study that questions the concept of depth in space |
Week - 7 |
A work in which the contrasts of cold, warm and color in the composition, the proportion-proportion relationships of the figure in a closed space. |
Week - 8 |
The search for color in tonal equality. A study in which the figure will show the relationship between proportion and proportion outdoors |
Week - 9 |
Questioning the plans of painting with the concepts of balance and harmony in color rhythm, single-figure and multi-figure compositions |
Week - 10 |
A work to be created by taking into account the concepts of local color and superficial form, balance and rhythm in the composition of the figure. |
Week - 11 |
Local Color and shallow form. 17. Transferring the interpretation and analysis of the figures used in the paintings on interior spaces starting from the 19th century until today with the collage method |
Week - 12 |
Transferring the interpretation and analysis of the figures used in the paintings with outdoor space from the Renaissance to the present, depending on their position in the composition, using the collage method. |
Week - 13 |
Color psychology and atmosphere. A work that divides the figure geometrically with the use of perspective and places it in the space |
Week - 14 |
A work that divides the figure geometrically and places it in the space with the use of texture perspective. |