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  • Department of Animation
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  • Animation and Cinema I
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Course Title Code Compulsory/Elective Laboratory + Practice ECTS
Animation and Cinema I ANİ509 I. SEMESTER 3+0 6.0
Language of Instruction Türkçe
Course Type Required Courses
Course Instructor(s) PROFESÖR HİKMET SOFUOĞLU
Mode of Delivery The mode of delivery of this course is Face to face
Prerequisites There is no prerequisite or co-requisite for this course.
Courses Recomended There is no recommended optional programme component for this course.
Recommended Reading List Amidi, A. Cartoon Modern: Style and Design in Fifties Animation. San Francisco: Chronicle, 2006.Barrier, M. Hollywood Cartoons American Animation in Its Golden Age, New York: Oxford University Press, 1999.Crafton, Donald, Before Mickey : the animated film, 1898-1928, Chicago : University of Chicago Press, 1993.Cubitt, S., The Cinema of Attractions, SAGE, London: 2007, Vol 2(3): 275–286.Gunning, Tom, Atraksiyon(lar) Sineması: Erken Dönem Sinema;İzleyicisi ve Avangart, Çev:Özgür Yaren, sinecine, 4(2), 145—153. Lamarre, Thomas, The Anime Machine:A Media Theory of Animation, Minneapolis: University of Minnesota Press, 2009.Lenburg, J. William Hanna and Joseph Barbera: The Sultans of Saturday Morning, New York: Chelsea House, 2011.Maltin, L. (1987). Of Mice and Magic: a history of American animated cartoons. New York: New American Library, 1987Manovich, L. (2001). The language of new media. MIT Press.Samancı, Özge, Animasyonun Önlenemez Yükselişi, İstanbul: İstanbul Bilgi Üniversitesi Yayınları, 2004.Thomas, F. ve Ollie J. (1995) The Illusion of Life: Disney Animation. Revize basım. New York: Disney Editions, 1995.Tolette J.P, Animating Space, Kentucky: The University Press of Kentucky, 2010.Vidler, A. (2000). Warped space: art, architecture, and anxiety in modern culture. MIT press.Virilio, P. (1991). The Lost Dimension. Semiotext(e).Wells. Paul., Understanding Animation , London, Routledge; 1998.
Assessment methods and criteria Course Attendance,   Grading of the Completed Works, 2 Mid-term and Final examinations 
Work Placement N/A
Catalog Content Space Representations in Early Cartoon Films; Cinema of Attractions and Avantgart; Antony Vidler's Concept of Warp Space; Winsor McCay and Warp Space; Sound and Space in Cartoon Films; Multilayered Image in Cartoon Films; Disney and Real Spaces; WB and Abstract Spaces; UPA and Flat Spaces; MGM Hanna and Barbera Abstract Spaces; Hybrid Spaces in Cartoon Films; Cartoon Film and Postmodernism; Digital Spaces in Cartoon Films; Cartoon Film and New Hybrid Cinema.

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