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  • Course Structure Diagram with Credits
  • Critique of Copies
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Course Title Code Compulsory/Elective Laboratory + Practice ECTS
Critique of Copies ARK621 I. SEMESTER 3+0 7.5
Language of Instruction Türkçe
Course Type Elective Courses
Course Instructor(s) DOÇ. DR. SERAP AKCA
Mode of Delivery The mode of delivery of this course is face to face
Prerequisites There is no prerequisite or co-requisite for this course.
Courses Recomended There is no recommended optional programme component for this course.
Recommended Reading List G. Lippold, Kopien und Umbildungen griechischer Statuen, München (1923); C. Blümel, Griechische Bildhauer an der Arbeit, Berlin (1953); A. Rumpf, Archäologie II. Die Archäologensprache. Die antiken Reproduktionen (1956); H. Lauter, Zur Chronologie römischer Kopien nach Originalen des V. Jahrhunderts Diss. Bonn (1966); S. Adam, The Technique of Greek Sculpture in the Archaic and Classical Period (1966); H. von Heintze, “Studien zur griechischen Porträtskunst I. Zur Statue des Euripides”, RM 71, 1964, 71-77; Th. Lorenz, “Kopie und Interpretation griechischer Bildnisse”, BABesch 42,1967, 85-107; R. Wünsche, “Der Jüngling von Magdalensberg, Studien zur römischen Idealplastik” Festschrift L. Dussler (1972); W. Trillmich, “Bemerkungen zur Erforschung der römischen Idealplastik”, JdI 88, 1973; P. Zanker, Klassizistische Statuen, Mainz (1974); M. Bieber, Ancient copies: Contributions to the history of Greek and Roman art. New York, 1977; B. Vierneisel-Schlörb, Glyptothek München, Klassische Skulpturen II, München (1979); J. Raeder, Die statuarische Ausstattung der Villa Hadriana bei Tivoli (1983); B. S. Ridgway, Roman copies of Greek sculpture: The problem of the originals. Ann Arbor (1984); J. P. Niemeier, Kopien und Nachahmungen im Hellenismus (1985); L. Giuliani, Bildnis und Botschaft. Hermeneutische Untersuchungen zur Bildniskunst der römischen Republik, Frankfurt (1988); L. Koch, Weibliche Sitzstatuen der Klassik und des Hellenismus und ihre kaiserzeitliche Rezeption, Münster (1994); J. İnan, Perge’nin Roma Devri Heykeltraşlığı I-II, Arkeoloji ve Sanat Yayınları, İstanbul (2000-2003); C. Gasparri, Copie e copisti. In Enciclopedia dell’arte antica classica e orientale. Suppl. 2, 1994, 267–280; P. C. Bol (ed.), Die Geschichte der antiken Bildhauerkunst II, Mainz (2004); M. R. Hofter, Der Zeugniswert der antiken Kopien: Zur Kontroverse zwischen Adolf Furtwängler und Reinhard Kekulé. In Meisterwerke: Internationales Symposion anläßlich des 150. Geburtstages von Adolf Furtwängler: Freiburg im Breisgau, 30. Juni–3. Juli 2003. Edited by Volker M. Strocka, 73–81. Munich (2005); A. Stähli, Die Kopie: Überlegungen zu einem methodischen Leitkonzept der Plastikforschung. In Original und Kopie: Formen und Konzepte der Nachahmung in der antiken Kunst: Akten des Kolloquiums in Berlin, 17.–19. Februar 2005. Edited by Klaus Junker and Adrian Stähli, 15–34. Wiesbaden, Germany (2008).
Assessment methods and criteria 1 mid-term and 1 final
Work Placement N/A
Catalog Content Definition of Copy Critique; Criteria in Critique of Copy; Critique of Copy methods; Explanation of basic concepts in Critique of Copy: Original, Sculpture type, Posture, Motif, Size, Copy, Free copy, Stylized copy, Replica, Repeat, Reinterpretation, Variant; Reasons for Copying Sculptures and Portraits: Ideal plastic, poets, writers and philosophers, portraits; Interest in the Classical Age during the Roman Period; Copy Production during the Roman Period; Analysis of Roman Period Copied statues.

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