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  • Faculty of Fine Arts
  • Department of Sculpture
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  • Mythology and Sculpture II
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Course Title Code Compulsory/Elective Laboratory + Practice ECTS
Mythology and Sculpture II HYK316 VI. SEMESTER 2+0 3.0
Language of Instruction Türkçe
Course Type Area Elective Courses
Course Instructor(s) DR. ÖĞR. ÜYESİ HASAN ÇİMENCİ
Mode of Delivery The mode of delivery of this course is face to face.
Prerequisites There is no prerequisite or co-requisite for this course.
Courses Recomended There is no recommended optional programme component for this course.
Recommended Reading List “Myth and Reality & Images and Symbols” - Mircea ELIADE, “The Epic of Gilgamesh - The Great Man Who Didn\'t Want to Die” - Jean BOTTÉRO, “Gılgameş: Tarihte İlk Kral Kahraman & Kur\'an, İncil ve Tevrat\'ın Sumer\'deki Kökeni” - Muazzez İlmiye ÇIĞ, \"Sanatın Mitolojisi\" - İsmail GEZGİN, “Türk Mitolojisinin Ana Hatları” - Yaşar ÇORUHLU, “Anadolu Mitolojisi” - İsmet Zeki EYÜBOĞLU, “The Oxford Handbook of Ancient Anatolia” - Sharon R. STEADMAN & Gregory McMAHON, “Minyatürlerle Osmanlı-İslam Mitologyası & Dionisos ve Anadolu Köylüsü” - Metin AND, \"İMan and His Symbols & Symbols of Transformation” - Carl G. JUNG, “The Hero\'s Journey & The Mythic Image” - Joseph CAMPBELL, “Future Primitive” - John ZERZAN, “Myths & Legends: An Illustrated Guide to Their Origins and Meanings” - Philip WILKINSON, “Contemporary Art and Classical Myth” - Isabelle Loring WALLACE & Jennie HIRSH
Assessment methods and criteria The 1st Midterm Exam is assessed through student presentations. The Final Exam is conducted through an open-ended written examination and the submission of a term project.
Work Placement There is no compulsory internship or work placement requirement within the scope of this course.
Catalog Content Mythological Narrative Tradition: mythological representation in sculpture from antiquity to the modern period; Greek and Roman Mythology: gods, heroes, iconographic analysis; Field Trips: ancient city, museum, archaeological site and contemporary art contexts; Project Process: sketches, design, critique and final submission; Sacred Iconology: Christian imagery; Theoretical Approaches: Jung, Campbell, Major Arcana; Cosmic Symbols: zodiac, celestial cycles, contemporary interpretations.
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