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Week - 1
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Analysis of musical epistles called “Edvar”, Lyrics Magazines, Ottoman Musical Manuscripts, collections of biographies and other significant sources. |
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Week - 2
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Analysis of musical epistles called “Edvar”, Lyrics Magazines, Ottoman Musical Manuscripts, collections of biographies and other significant sources. |
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Week - 3
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Analysis of musical epistles called “Edvar”, Lyrics Magazines, Ottoman Musical Manuscripts, collections of biographies and other significant sources. |
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Week - 4
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Analysis of musical epistles called “Edvar”, Lyrics Magazines, Ottoman Musical Manuscripts, collections of biographies and other significant sources. |
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Week - 5
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Of those sources, which are mostly Ottoman alongside some Iranian and Arabic ones, this course examines musical epistles of Avicenna and Al-Farabi. |
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Week - 6
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Of those sources, which are mostly Ottoman alongside some Iranian and Arabic ones, this course examines musical epistles of Avicenna and Al-Farabi. |
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Week - 7
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Of those sources, which are mostly Ottoman alongside some Iranian and Arabic ones, this course examines musical epistles of Avicenna and Al-Farabi. |
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Week - 8
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Examines the “edvar” tradition – a.k.a “systematic school” – developed by Safiyuddin Urmevi. |
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Week - 9
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Examines the “edvar” tradition – a.k.a “systematic school” – developed by Safiyuddin Urmevi. |
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Week - 10
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Examines the “edvar” tradition – a.k.a “systematic school” – developed by Safiyuddin Urmevi. |
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Week - 11
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Examines Abdulkadir Meragi and musical documents from 15th century Timurid era with reference to their relationship with Ottoman music. |
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Week - 12
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Examines Abdulkadir Meragi and musical documents from 15th century Timurid era with reference to their relationship with Ottoman music. |
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Week - 13
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Examining the literature that prepared the way for Turkish sources in the Ottoman era. |
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Week - 14
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Examining the literature that prepared the way for Turkish sources in the Ottoman era. |
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