| İNG167-English I | | | | | | | | | | | | | | | | | | |
| İNG269-English III | | | | | | | | | | | | | | | | | | |
| İNG375-English V | | | | | | | | | | | | | | | | | | |
| KÜL193-Career Planning | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 |
| KÜL195-Volunteer Work | 1 | 0 | 3 | 3 | 3 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 2 | 2 |
| KÜL199-Cultural Activities | | | | | | | | | | | | | | | | | | |
| MÜZ119-Orchestra I | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 3 | 3 | 3 | 2 | 2 | 2 | 1 |
| MÜZ123-Coperformance I | 3 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 |
| MÜZ125-Chamber Music I | 3 | 3 | 3 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 3 | 2 | 3 | 3 | 3 | 2 | 2 |
| MÜZ139-Strings Repertory I | 3 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 3 | 2 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 2 |
| MÜZ175-History of Music I | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 3 | 3 | 2 | 1 | 1 | 2 | 2 |
| MÜZ185-Orchestra Repertory I | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 |
| MÜZ219-Fundamental Concepts of Art I | 3 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 3 | 3 |
| MÜZ225-Orchestra III | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 3 | 1 | 2 | 2 | 3 | 3 | 2 | 2 | 1 |
| MÜZ229-Coperformance III | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 2 |
| MÜZ230-Coperformance IV | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 2 |
| MÜZ231-Chamber Music III | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 2 | 3 | 3 | 3 | 3 | 2 | 2 |
| MÜZ241-Chamber Music Repertory I | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 0 |
| MÜZ277-History of Music III | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 3 |
| MÜZ285-To Bring Instrumental Skills I | 0 | 0 | 3 | 3 | 3 | 0 | 2 | 0 | 3 | 0 | 3 | 3 | 3 | 1 | 3 | 0 | 3 | 1 |
| MÜZ287-Orchestra Repertory III | 3 | 3 | 2 | 3 | 2 | 1 | 3 | 3 | 3 | 2 | 2 | 2 | 3 | 3 | 3 | 2 | 2 | 2 |
| MÜZ313-Fundamentals of Stage Performance I | 2 | 3 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 3 | 1 | 3 | 3 | 3 | 3 | 3 |
| MÜZ319-Orchestra V | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 2 | 1 |
| MÜZ323-Coperformance V | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| MÜZ324-Coperformance VI | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 2 |
| MÜZ325-Chamber Music V | 2 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 2 |
| MÜZ351-Introduction to 20th Century Music I | 3 | 2 | 2 | 2 | 2 | 1 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 2 |
| MÜZ365-Baroque Violin I | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 1 |
| MÜZ367-Basso Continuo I | | | | | | | | | | | | | | | | | | |
| MÜZ387-History of Music V | 3 | 1 | 3 | 1 | 0 | 0 | 3 | 3 | 2 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 3 |
| MÜZ389-Orchestra Repertory V | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 |
| MÜZ421-Orchestra VII | 3 | 3 | 2 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 |
| MÜZ427-Coperformance VII | 1 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 3 | 3 | 3 | 2 | 3 | 1 | 1 |
| MÜZ453-Chamber Music VII | 3 | 3 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 3 | 3 | 2 | 1 | 1 | 2 |
| MÜZ454-Chamber Music VIII | 3 | 3 | 3 | 3 | 3 | 0 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| MÜZ461-Baroque Violin III | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 1 | 3 | 3 | 1 | 2 | 1 | 1 |
| MÜZ489-Music History VII | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 3 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 2 | 3 |
| MÜZ491-Orchestra Repertory VII | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 |
| MÜZ801-Form and Analysis I | | | | | | | | | | | | | | | | | | |
| MÜZ803-Form and Analysis III | 3 | 3 | 3 | 2 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| MÜZ805-Form and Analysis V | 3 | 3 | 3 | 2 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| MÜZ807-Form and Analysis VII | 3 | 3 | 3 | 2 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| MÜZ859-Violin Teaching Methods and Pedagogical Approaches I | 1 | 2 | 3 | 3 | 2 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | 0 |
| MÜZ871-Gaining Instrumnet Skill I | 3 | 1 | 3 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 3 | 3 | 1 | 3 | 2 |
| MÜZ873-Music Appreciation I | 3 | 1 | 2 | 1 | 2 | 3 | 1 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 3 |
| PSİ401-Psychology of Development and Learning | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 3 | 0 |
| TAR165-Atatürk's Principles and History of Turkish Revolution I | | | | | | | | | | | | | | | | | | |
| TÜR120-Turkish Sign Language | | | | | | | | | | | | | | | | | | |
| TÜR125-Turkish Language I | | | | | | | | | | | | | | | | | | |
| YAY103-Instrument I | 3 | 3 | 3 | 2 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| YAY105-Technical Stings Studies I | 2 | 3 | 3 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 3 | 3 | 3 | 3 | 2 | 1 | 1 |
| YAY205-Instrument III | 3 | 3 | 2 | 2 | 0 | 0 | 2 | 2 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| YAY206-Instrument IV | 3 | 3 | 3 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| YAY207-Technical Stings Studies III | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 1 | 1 |
| YAY209-Violin Ecoles I | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 2 | 2 | 3 | 1 | 3 | 1 | 1 | 1 |
| YAY211-Preparation for Extended Performance I | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 3 | 3 | 2 | 2 | 1 | 1 | 2 |
| YAY307-Instrument V | 2 | 3 | 3 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| YAY308-Instrument VI | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 2 | 3 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| YAY409-Instrument VII | 3 | 3 | 2 | 1 | 0 | 0 | 2 | 2 | 3 | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |