| CAM530-The Curatorial Studies | | | | | | | | | |
| HYK501-Material in Sculpture and Technical Interpretation I | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 |
| HYK502-Material in Sculpture and Technical Interpretation II | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 |
| HYK503-Contemporary Interpretation in Sculpture I | 1 | 2 | 3 | 2 | 3 | 3 | 1 | 2 | 3 |
| HYK504-Contemporary Interpretation in Sculpture II | 1 | 1 | 3 | 3 | 3 | 1 | 0 | 3 | 1 |
| HYK507-Light and Color in Sculpture I | 2 | 3 | 3 | 2 | 2 | 2 | 1 | 2 | 2 |
| HYK509-Sculpture in Public Space I | 3 | 3 | 3 | 2 | 3 | 3 | 1 | 3 | 3 |
| HYK510-Sculpture in Public Space II | 3 | 3 | 3 | 2 | 3 | 3 | 1 | 2 | 3 |
| SER574-Design Theory II | | | | | | | | | |
| SMR500-Seminar | | | | | | | | | |
| TEZ700-Thesis | 2 | 3 | 3 | 0 | 3 | 3 | 0 | 2 | 3 |
| UZM700-Research in Area of Specialization | | | | | | | | | |