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1 |
To have knowledge about musical culture and aesthetical subjects. |
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2 |
To tell the experts or non-experts issues about music in an effective and correct way by resorting to the methods of audio-visual and written communication. |
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3 |
To have knowledge about history of music. |
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4 |
To have knowledge about musical materials. |
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5 |
To have knowledge about schools and techniques in music. |
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6 |
To have knowledge about legal regulations and proceedings in related field of art. |
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7 |
To have knowledge about multidisciplinary interaction between music and relevant fields. |
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8 |
To have appropriate knowledge about research methods. |
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9 |
To have knowledge about methods in musical criticism. |
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10 |
To have knowledge about ethics in music. |
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11 |
To attain the coherence in theory and practice. |
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12 |
To use schools and techniques in music. |
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13 |
To assess the interaction among sub-divisions in music. |
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14 |
To have the skill to comment based on analysis. |
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15 |
To develop a multi-facet ability to percept, consider, design and apply. |
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16 |
To reflect the cognitive perception on the performance. |
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17 |
To work adaptively and productive singly, independently and/or in a group. |
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18 |
To participate effectively in project processes. |
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19 |
To share the works in music with society and to assess the results. |
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20 |
To critize his/her works/studies. |
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21 |
To think in an analytic and critical way. |
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22 |
To internalize the concept of life-long learning. |
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23 |
To share works/studies in music by defining the target group. |
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24 |
To have the ability to communicate in order to tell the society about her/his works. |
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25 |
To follow her/his field and to communicate with his/her colleagues by using a foreign language. (European Language Portfolio General Level: B1 Level) |
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26 |
To use at least European Information Proceeding License and Advanced Level of software as well as informational and communication technologies. |
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27 |
To be aware of the national and international values in music. |
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28 |
To have aesthetical awareness. |
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29 |
To comment concrete and abstract concepts in way of creative thinking. |
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30 |
To be sensitive to working/studying properly in the field of music. |