|
1
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attain the coherence in theory and practice. |
|
2
|
Has the ability of making interpretation on the artistic field. |
|
3
|
Gaining skills for making original designs in the field. |
|
4
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The ability to use theoretical knowledge in the field instrument making. |
|
5
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Gaining skill of doing scientific research in instrument making. |
|
6
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identify, define and interpret issues related to string instrument construction techniques |
|
7
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have knowledge on schools and techniques in music. |
|
8
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have knowledge about legal regulations and proceedings in related field of art. |
|
9
|
have knowledge on multidisciplinary interaction between music and related fields. |
|
10
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have appropriate knowledge about research methods. |
|
11
|
have knowledgeon methods in musical criticism. |
|
12
|
have knowledge about ethics in music. |
|
13
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utilizeschools and techniques related to music. |
|
14
|
evaluate theinteractionamong sub-divisions in music. |
|
15
|
reflect their cognitive perception on their performance. |
|
16
|
work adaptively and productively as an individual or as a team member. |
|
17
|
contribute positivelyin project processes. |
|
18
|
share the works in music with society and assess their impact. |
|
19
|
Gaining ability for critizing their own works/studies. |
|
20
|
think in an analytic and critical way. |
|
21
|
internalize the concept of life-long learning. |
|
22
|
share works/studies in music, taking into acoount the needs and interests of their audience |
|
23
|
have the ability to communicate in order toinform the society about her/his works. |
|
24
|
informfield experts orlay people aboutissuesin music in an effective andprofound way by resorting to the methods of audio-visual and written communication |
|
25
|
keep up with the knowledge in their field and communicate with their colleagues, using a foreign language (B1 Level according to the European Language Portfolio). |
|
26
|
Being able to use the modern, scientific and technological advances. |
|
27
|
be aware of the national and international values in music. |
|
28
|
interpret concrete and abstract concepts with a creative thinking |
|
29
|
have such a great sense of responsibility that theycan carry out their profession successfully |
|
30
|
have aesthetical awareness. |