| RHİ517-Communication Theories and Researches I | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| RHİ518-Communication Theories and Researches II | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| SMR500-Seminar | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| SNT555-Digital Art History | 0 | 0 | 1 | 3 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 |
| STV504-Documentary Cinema | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 2 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | | | | | |
| STV507-Social Gender and Media | 3 | 1 | 3 | 1 | 3 | 3 | 2 | 3 | 3 | 2 | 1 | 1 | 3 | 3 | 3 | 3 | 1 | 2 | 2 | 1 | 1 | 2 | 3 | 3 | 3 | | | | | |
| STV513-Social Research in Cinema | 3 | 3 | 2 | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 3 | 1 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 3 | | | | | |
| STV517-Film Critique I | 1 | 3 | 1 | 3 | 1 | 1 | 3 | 1 | 2 | 3 | 1 | 1 | 2 | 0 | 3 | 1 | 3 | 1 | 1 | 3 | 3 | 1 | 1 | 3 | 1 | | | | | |
| STV518-Film Critique II | 3 | 3 | 0 | 3 | 0 | 1 | 3 | 1 | 2 | 3 | 0 | 0 | 0 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 1 |
| STV519-Periods and Directors in Turkish Cinema I | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 1 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 1 | 3 | 3 | 3 | | | | | |
| STV520-Periods and Directors in Turkish Cinema II | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV523-Qualitative Research in Media and Visual Arts | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV524-Modern Cinema | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV530-Social Change and Imaging Technologies | 2 | 1 | 3 | 1 | 3 | 1 | 3 | 1 | 3 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 3 | 2 | 2 | 2 | 2 |
| STV531-New Media Theories | 3 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 3 | 3 | 3 | 1 | 1 | 3 | 3 |
| STV532-Postmodern Esthetics and Cinema | 2 | 3 | 2 | 3 | 2 | 2 | 3 | 1 | 3 | 3 | 0 | 0 | 2 | 3 | 3 | 2 | 3 | 0 | 3 | 3 | 3 | 0 | 3 | 3 | 3 | 2 | 3 | 2 | 2 | 3 |
| STV538-Recent History of the Turkish Film | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 2 |
| STV539-Experimental Cinema and Short Film | 2 | 3 | 1 | 3 | 2 | 1 | 3 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 1 | 3 | 2 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 0 | 1 |
| TEZ700-Thesis | 3 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 3 | 3 | 3 | 1 | 1 | 1 | 3 | 3 |
| UZM700-Research in Area of Specialization | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 1 | 1 | 1 | 3 | 3 |