| Key Learning Outcomes | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 |
| Research Methods in Social Sciences | 2 | 0 | 3 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| Qualitative Methods in Communication Research | 2 | 0 | 1 | 2 | 3 | 3 | 2 | 3 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 3 | 2 | 3 | 2 | 2 | 2 | 2 | 3 | 1 | 0 | 2 | 2 | 2 | 3 | 0 | 1 |
| Fundamentals of Information Technology | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 3 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 3 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 2 | 3 | 1 | 1 |
| Artificial Intelligence | 2 | 1 | 3 | 2 | 3 | 2 | 1 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 3 | 2 | 3 |
| Computer Based Creative Studies II | 1 | 1 | 3 | 1 | 2 | 3 | 1 | 3 | 1 | 1 | 3 | 3 | 3 | 1 | 2 | 3 | 2 | 3 | 1 | 3 | 2 | 1 | 1 | 1 | 3 | 2 | 1 | 2 | 1 | 2 | 3 |
| Introduction to Printing and Journalism | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 0 | 0 | 0 |
| Literary and Cultural Studies | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 2 | 0 | 3 | 2 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 0 |
| Digital Media Ethics | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Basic Photography | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 3 | 0 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 3 |
| Advertising Photography Project | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 3 | 3 | 1 | 0 | 1 | 0 | 2 |
| Introduction to Computer Aided Graphic Design | 1 | 1 | 3 | 1 | 1 | 3 | 1 | 3 | 1 | 1 | 3 | 1 | 2 | 1 | 3 | 3 | 1 | 3 | 1 | 3 | 3 | 1 | 1 | 1 | 3 | 3 | 2 | 1 | 1 | 2 | 3 |
| Motion Graphics | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 3 | 1 | 3 | 2 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 |
| Basic Concepts of Law | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Intellectual Property Rights | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Economics | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 |
| Introduction to Communication | 2 | 1 | 1 | 2 | 3 | 2 | 3 | 3 | 2 | 2 | 3 | 3 | 2 | 2 | 3 | 3 | 2 | 3 | 2 | 2 | 3 | 3 | 1 | 1 | 1 | 3 | 3 | 3 | 2 | 2 | 2 |
| Theories of Communication | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 3 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 2 | 2 |
| Political Communication | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| Social Media Applications | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Web-Based Storytelling | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Applications of Communication Research | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| English II | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Academic English III | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Academic English IV | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Academic English V | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Academic English VI | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Spanish I | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 1 | 1 | 1 |
| Spanish II | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Business Management | 2 | 2 | 2 | 3 | 1 | 3 | 3 | 1 | 3 | 3 | 3 | 3 | 2 | 3 | 1 | 1 | 2 | 2 | 3 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 |
| Strategic Management | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Career Planning | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Volunteer Work | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Cultural Activities | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 3 | 0 | 0 |
| Psychology | 0 | 0 | 3 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 |
| Social Psychology | 0 | 0 | 2 | 3 | 3 | 3 | 3 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 3 | 1 | 3 | 0 | 0 | 3 | 3 | 3 | 0 | 0 |
| Introduction to Marketing Management | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 3 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 2 | 2 | 3 |
| Theory and Practice in Public Relations | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 1 | 1 | 3 | 3 | 3 | 3 | 2 | 2 |
| Introduction to Advertising | 2 | 0 | 3 | 3 | 1 | 3 | 2 | 3 | 3 | 2 | 3 | 3 | 2 | 3 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 3 | 3 | 3 | 1 | 1 | 2 | 3 | 3 | 1 | 2 |
| Consumer Behavior | 1 | 1 | 3 | 3 | 2 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 3 | 3 | 2 | 3 | 1 | 3 | 2 | 2 | 3 | 3 | 3 | 2 | 2 |
| Marketing Communication | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| Introduction to Public Relations | 2 | 1 | 2 | 3 | 2 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | 3 | 3 | 2 | 1 | 1 | 2 | 3 | 3 | 2 | 2 | 2 | 2 |
| Visual Communication | 1 | 1 | 3 | 3 | 2 | 3 | 3 | 3 | 1 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 1 | 1 | 1 | 3 | 2 | 2 | 3 | 2 | 1 | 3 |
| History of Advertising | 3 | 1 | 2 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 2 | 1 | 2 |
| Persuasive Communication | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Communication Management | 2 | 1 | 2 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 2 | 3 | 2 | 3 | 3 | 2 | 2 | 3 | 3 | 3 | 1 | 3 | 3 | 3 | 3 | 3 |
| Creativity in Advertising I | 2 | 1 | 3 | 2 | 2 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | 1 | 2 | 1 | 2 | 2 | 3 | 2 | 2 |
| Creativity in Advertising II | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 1 | 2 | 3 | 3 | 3 | 3 |
| Media Planning | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Communication Research | 2 | 2 | 2 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 2 | 3 | 2 | 3 | 1 | 2 | 3 | 3 | 2 | 2 |
| Advertising Analysis | 1 | 1 | 3 | 3 | 1 | 2 | 1 | 2 | 1 | 3 | 3 | 2 | 3 | 2 | 1 | 2 | 3 | 2 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 |
| Social and Political Communication Campaigns | 2 | 1 | 3 | 2 | 3 | 3 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 2 | 1 | 2 | 1 | 3 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 2 |
| Brand Communication Management | 3 | 0 | 3 | 3 | 0 | 3 | 3 | 2 | 3 | 3 | 3 | 2 | 3 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 2 |
| Advertising Copywriting | 2 | 1 | 3 | 2 | 1 | 3 | 3 | 3 | 1 | 1 | 1 | 1 | 3 | 2 | 3 | 3 | 3 | 1 | 1 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 2 |
| Advertising and Neuroscience | 3 | 1 | 3 | 3 | 3 | 3 | 2 | 2 | 1 | 1 | 2 | 3 | 2 | 1 | 2 | 2 | 3 | 3 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 2 |
| Content Marketing | 1 | 0 | 3 | 3 | 1 | 3 | 2 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 2 | 2 | 2 | 3 | 2 | 2 | 3 | 2 | 3 | 2 | 3 |
| Sustainability Communication | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 2 | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 2 |
| Corporate Social Responsibilty Communication | 3 | 0 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 1 | 1 | 3 | 3 |
| Critical Perspectives on Advertising | 2 | 1 | 3 | 0 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| Internal Communication | 3 | 0 | 3 | 3 | 0 | 3 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 0 | 0 | 0 | 2 | 3 | 3 | 2 | 1 |
| Critical Thinking | 2 | 0 | 3 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 3 | 3 | 3 | 3 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 |
| Advertising Campaign Analyses | 3 | 0 | 3 | 2 | 3 | 3 | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 2 | 2 | 2 | 1 | 2 | 3 | 2 | 2 | 0 | 2 | 2 | 2 | 1 | 2 |
| TV Advertising | 3 | 1 | 3 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 3 |
| Public Relations Copy Writing | 2 | 1 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 3 | 2 | 3 | 3 | 3 |
| Socıal Campaıgns | 2 | 1 | 2 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 |
| Advertising Design II | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Corporate Communication Management | 3 | 2 | 3 | 3 | 2 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 1 | 3 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 3 | 3 |
| Presentation Techniques in Campaigns | 1 | 1 | 2 | 2 | 2 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 2 | 2 | 2 | 2 | 3 |
| Digital Public Relations | 2 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 3 | 2 | 3 | 1 | 1 | 3 | 2 | 2 | 3 | 2 | 2 | 3 |
| Advertising in the Digital Age | 1 | 0 | 3 | 1 | 1 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | 3 | 3 | 2 | 3 | 1 | 2 | 2 | 3 | 1 | 2 | 0 | 1 | 3 | 2 | 3 | 3 | 1 | 1 | 3 |
| Corporate Culture Management | 0 | 0 | 3 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 0 | 3 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 3 |
| Digital Media Applications | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Seminar I | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Seminar II | 2 | 1 | 3 | 2 | 0 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 3 | 2 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 2 |
| Media and Politics | 3 | 2 | 3 | 2 | 3 | 1 | 2 | 1 | 2 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 2 |
| Storytelling in Advertising | 1 | 0 | 3 | 2 | 0 | 3 | 2 | 3 | 1 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 1 | 2 | 2 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 2 |
| Advertising Film Production | 3 | 1 | 3 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 3 |
| Psychological Approaches in Advertising | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| Analysis of Public Relations Campaigns | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| Strategic Planning | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Sport Marketing Communication | 3 | 1 | 3 | 3 | 2 | 3 | 3 | 2 | 3 | 3 | 3 | 2 | 3 | 2 | 2 | 3 | 3 | 1 | 3 | 3 | 1 | 3 | 2 | 1 | 2 | 2 | 3 | 3 | 2 | 3 | 2 |
| International Advertising and Public Relations | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 1 | 3 | 2 | 3 | 2 | 2 | 3 | 3 | 2 | 3 | 3 |
| International Projects | 3 | 0 | 3 | 3 | 2 | 3 | 3 | 3 | 0 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 3 | 2 | 3 | 1 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 |
| Digital Advertising Copywriting | 2 | 0 | 3 | 2 | 0 | 2 | 2 | 3 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 1 | 1 | 3 | 3 | 0 | 3 | 3 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 3 |
| Advertising Project | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 3 | 3 |
| Graduation Project I | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 2 | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 3 | 2 | 3 |
| Graduation Project II | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 1 | 1 | 1 | 3 | 1 | 3 | 3 | 3 |
| Advertising Copywriting Practices | 1 | 0 | 3 | 2 | 0 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 1 | 3 | 3 | 0 | 3 | 2 | 2 | 2 | 3 | 2 | 2 | 1 | 1 | 3 |
| Political Science | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| History of Art | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 2 | 1 | 1 |
| Sociology | 1 | 1 | 1 | 3 | 3 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 |
| Film and TV Information | 2 | 0 | 1 | 3 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Identity in the Digital Age | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Atatürk's Principles and History of Turkish Revolution I | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Atatürk's Principles and History of Turkish Revolution II | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Community Services | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | 3 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 2 | 3 | 1 |
| Theatre | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 0 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
| Turkish Sign Language | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Writing | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Speaking Skills | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Turkish Language I | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| Turkish Language II | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
Anadolu Info Package 
Turkish 
English