| Instrument Techniques and Repertoire I | | | | | | | | | | | | | | | | | | | | | | | |
| Instrument Techniques and Repertoire II | 2 | 3 | 3 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 2 | 1 | 2 | 3 | | | |
| Advanced Applied Piano Duo&Four Hands Repertoire I | | | | | | | | | | | | | | | | | | | | | | | |
| Advanced Applied Piano Duo&Four Hands Repertoire II | 3 | 2 | 2 | 3 | 3 | 2 | 2 | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 3 | 0 | 0 | 3 | 3 | 3 | 3 | 3 | 3 |
| Advanced 20th Century Chamber Music Repertory I | 3 | 3 | 0 | 0 | 1 | 3 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 3 |
| Advanced 20th Century Chamber Music Repertory II | 3 | 3 | 0 | 0 | 1 | 3 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 3 |
| Advanced Baroque Music Repertoire I | | | | | | | | | | | | | | | | | | | | | | | |
| Advanced Baroque Music Repertoire II | | | | | | | | | | | | | | | | | | | | | | | |
| Advanced Chamber Music Repertoire I | | | | | | | | | | | | | | | | | | | | | | | |
| Advanced Chamber Music Repertoire II | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | | | |
| Advanced History of the Piano Interpreters I | | | | | | | | | | | | | | | | | | | | | | | |
| Advanced History of the Piano Interpreters II | | | | | | | | | | | | | | | | | | | | | | | |
| Guitar Concertos I | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 |
| Guitar Concertos II | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 |
| Seminar | | | | | | | | | | | | | | | | | | | | | | | |
| Seminar | | | | | | | | | | | | | | | | | | | | | | | |
| Qualifying Exam | | | | | | | | | | | | | | | | | | | | | | | |
| Thesis | 2 | 1 | 3 | 0 | 1 | 3 | 3 | 3 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | | | |
| Thesis | | | | | | | | | | | | | | | | | | | | | | | |
| Research in Area of Specialization | | | | | | | | | | | | | | | | | | | | | | | |
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