Week - 1 |
First Semester Review
Conceptual reminder, identification of technical deficiencies. |
Week - 2 |
The actor's place in the mise-en-scene
The actor's responsibility and positioning in relation to the camera, space and partner. |
Week - 3 |
Establishing Mise-en-scene According to Acting Types
The actor's contribution to the mise-en-scene in genres such as comedy, drama, thriller. |
Week - 4 |
Inner Rhythm and Emotional Flow in Dialogic Scenes
Balance with partner, correct reactions, pauses and rhythm. |
Week - 5 |
Player Blocking and Play Consistency in Moving Scenes
Maintaining physical continuity and rhythm in situations such as pursuit, escape, fight, etc. |
Week - 6 |
Sensing Out of Area - Reacting to Unseen Elements
Player reaction to unseen elements such as sound, movement or threat. |
Week - 7 |
The Role of the Actor in Creating Atmosphere
Transportation of emotion to the stage through light, smoke and sound. |
Week - 8 |
Film Scene Analysis - Acting-Oriented Mise-en-scene Reading
Strategies of the actor in the mise-en-scene in a given scene. |
Week - 9 |
Scene Selection and Casting
Scene selection and character analysis through group work of students. |
Week - 10 |
Rehearsal Process - Actor's Preparation and Mise-en-scene Adaptation
Rehearsal with partner, emotional preparation, blocking and camera awareness. |
Week - 11 |
Shooting Days - Day 1 (On-Camera Performance)
Controlled shooting of selected scenes in front of the camera. |
Week - 12 |
Shooting Days - Day 2 (Replays and Detail Plans)
Close-ups, detail shots and actor's continuity responsibility. |
Week - 13 |
Watching edited scenes and Feedback on Acting Performance
Analyzing edited scenes in terms of acting |
Week - 14 |
End of Term Evaluation - From Actor to Director, From Stage to Mise-en-scene
Holistic analysis of the process, individual development evaluation and discussion of the creative contribution of the actor on the stage. |