| Language of Instruction |
Türkçe |
| Course Type |
Elective Courses |
| Course Instructor(s) |
DR. ÖĞR. ÜYESİ MELTEM CEMİLOĞLU |
| Mode of Delivery |
Face to face |
| Prerequisites |
There are no prerequisites or co-conditions for this course. |
| Courses Recomended |
- |
| Recommended Reading List |
1. “Creating Your Web Presence: A Primer for Academics,” ProfHacker (February 14, 2011).2. Isabella Kirton and Melissa Terras. “Where Do Images of Art Go Once They Go Online? A Reverse Image Lookup Study to Assess the Dissemination of Digitized Cultural Heritage.” Museums and the Web 2013: Proceedings (2013).3. Whitelaw. Mitchell. “Generous Interfaces for Digital Cultural Collections.” Digital Humanities Quarterly, vol. 9, no. 1 (2015).4. Richard White, “What is Spatial History?” Stanford University Spatial History Project (2010).5. Matthew Battles and Michael Maizels, “Collections and/of Data: Art History and the Art Museum in the DH Mode,” Debates in the Digital Humanities 2016, eds. Matthew K. Gold and Lauren F. Klein, http://dhdebates.gc.cuny.edu/debates/text/786. L. Carletti, G. Giannachi, D. Price, D. McAuley, “Digital Humanities and Crowdsourcing: An Exploration,” in MW2013: Museums and the Web 2013, April 17-20, 20137. https://bigumigu.com/,8. http://www.sanatatak.com/9. http://www.sanatatak.com/10. NFT platformları (OpenSea, SuperRare vb.) |
| Assessment methods and criteria |
1 Mid Exam 1 Final 1 Final Assignment |
| Work Placement |
- |
| Catalog Content |
Basic Concepts; Digital Art: Digital art history; The Predecessors of Digital Art: Impressionism, Post-Impressionism, Expressionism, Cubism, Futurism, Dadaism, Surrealism, Pop art; Fundamentals of Dijitallestirmen: Replication technologies; Kinetic Art, Video art, Video games, Animation, Digital sculpture/ 3D Sculpture; Fractal Art, Sound art, Digital installation map/ mapping; GIF Art, NFT and platforms; Digital Art in Virtual Reality and Augmented Reality Applications; and Virtual Museums, Biennials, and Interpret digital art (Digital art magazines, Critics, Curators) |
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