| Language of Instruction |
Türkçe |
| Course Type |
Area Elective Courses |
| Course Instructor(s) |
PROF. DR. HÜSEYİN SABRİ ALANYALI |
| Mode of Delivery |
The mode of delivery of this course is Face to face |
| Place of Delivery |
On Campus |
| Used Educational Platforms |
Face-to-face |
| Prerequisites |
There is no prerequisite or co-requisite for this course. |
| Courses Recomended |
It is recommended to take the course ARK346 Hellenistic Period and its Archaeology before taking this course. |
| Recommended Resources |
B. Andreae, Schönheit des Realismus, Auftraggeber, Schöpfer, Betrachter hellenistischer Plastik (1998)B. Andreae, Skulptur des Hellenismus (2001)M. Bieber, The Sculpture of the Hellenistic Age (1955)P. C. Bol (Ed..), Die Geschichte der antiken Bildhauerkunst III Hellenistik Plastik (2007) 2 CiltR. Özgan, Hellenistik Devir Heykeltraşlığı I, Büyük İskender’den Diadochlar Sonrası (2016)R. Özgan, Hellenistik Devir Heykeltraşlığı II, Erken Hellenistikten Yüksek Hellenistiğe (2016)R. Özgan, Hellenistik Devir Heykeltraşlığı III, Yüksek Hellenistik (2018)R. . Özgan, Hellenistik Devir Heykeltraşlığı IV, Geç Hellenistik (2018)O. Palagia – W. Coulson, Relional schools in hellenistic sculpture (1998)R. R. R. Smith, Hellenistic Sculpture (1991)R. R. R. Smith, Hellenistik Heykel (2013) |
| Work Placement |
N/A |
| Aims of the Course |
The aim of this course is to examine the historical development, stylistic characteristics, iconographic diversity, and regional differences of sculpture in the Hellenistic Period. Within this scope, the course aims to evaluate the political, social, and cultural conditions that influenced the emergence of Hellenistic sculpture; introduce the primary centers of sculpture, the artists, and the significant works of the period; and provide an understanding of the formal, technical, and iconographic innovations observed in the art of sculpture. Furthermore, it is intended to comprehend the relationship between Hellenistic sculpture and the art of the Classical Period, as well as its influence on the sculpture of the Roman Period. |