Week - 1 |
Analysis of musical epistles called “Edvar”, Lyrics Magazines, Ottoman Musical Manuscripts, collections of biographies and other significant sources. |
Week - 2 |
Analysis of musical epistles called “Edvar”, Lyrics Magazines, Ottoman Musical Manuscripts, collections of biographies and other significant sources. |
Week - 3 |
Analysis of musical epistles called “Edvar”, Lyrics Magazines, Ottoman Musical Manuscripts, collections of biographies and other significant sources. |
Week - 4 |
Analysis of musical epistles called “Edvar”, Lyrics Magazines, Ottoman Musical Manuscripts, collections of biographies and other significant sources. |
Week - 5 |
Of those sources, which are mostly Ottoman alongside some Iranian and Arabic ones, this course examines musical epistles of Avicenna and Al-Farabi. |
Week - 6 |
Of those sources, which are mostly Ottoman alongside some Iranian and Arabic ones, this course examines musical epistles of Avicenna and Al-Farabi. |
Week - 7 |
Of those sources, which are mostly Ottoman alongside some Iranian and Arabic ones, this course examines musical epistles of Avicenna and Al-Farabi. |
Week - 8 |
Examines the “edvar” tradition – a.k.a “systematic school” – developed by Safiyuddin Urmevi. |
Week - 9 |
Examines the “edvar” tradition – a.k.a “systematic school” – developed by Safiyuddin Urmevi. |
Week - 10 |
Examines the “edvar” tradition – a.k.a “systematic school” – developed by Safiyuddin Urmevi. |
Week - 11 |
Examines Abdulkadir Meragi and musical documents from 15th century Timurid era with reference to their relationship with Ottoman music. |
Week - 12 |
Examines Abdulkadir Meragi and musical documents from 15th century Timurid era with reference to their relationship with Ottoman music. |
Week - 13 |
Examining the literature that prepared the way for Turkish sources in the Ottoman era. |
Week - 14 |
Examining the literature that prepared the way for Turkish sources in the Ottoman era. |