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Week - 1 |
Meeting, course introduction and student expectations |
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Week - 2 |
The invention of photography and its relationship with the socio-cultural, economic and scientific codes of the period |
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Week - 3 |
The relationship between reality and documentary photography through examples. How does documentary photography differ from other photographs? |
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Week - 4 |
The first documentarians: R. Adamson, O. Hill, E. Atget et al. Anthropology and photography: S. Bourne, E. Curtis et al. |
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Week - 5 |
Social documentarians: L.Hine, J. Riss; FSA, Fikret Otyam. Working class photography and its difference from other types of documentary photography. |
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Week - 6 |
F64, Photo Leage, New Documents. |
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Week - 7 |
MIDTERM |
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Week - 8 |
Changing documentary photography |
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Week - 9 |
Agencies, documentary photography and photographers |
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Week - 10 |
Classical project and presentation methods; new possibilities in new media |
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Week - 11 |
Identification and distribution of student projects |
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Week - 12 |
Feedback and interactions regarding student projects |
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Week - 13 |
Latest feedback on student projects and presentation methods |
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Week - 14 |
Students presenting their projects in the classroom environment |
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