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Week - 1 |
Inspection of polyphonic composition examples bearing a makam character |
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Week - 2 |
Inspection of polyphonic composition examples bearing a makam character |
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Week - 3 |
Form analysis for finding makam-based melodic fragments |
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Week - 4 |
Form analysis for finding makam-based melodic fragments |
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Week - 5 |
Rhythmic analysis of sections simiar to those seen in forms such as Peşrev and Saz Semaisi |
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Week - 6 |
Rhythmic analysis of sections simiar to those seen in forms such as Peşrev and Saz Semaisi |
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Week - 7 |
Contrapuntal Imitation in makam harmonization: Canon via makam elements |
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Week - 8 |
Contrapuntal Imitation in makam harmonization: Invention via makam elements |
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Week - 9 |
Contrapuntal Imitation in makam harmonization: Fugue via makam elements |
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Week - 10 |
Transformations that can be applied over the Subject and the Counter-Subject: Inverse, Retrograde, Inverse-Retrograde |
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Week - 11 |
Special notation and instrumentation with regards to instruments such as the Kanun, Kemençe, Ney, Tanbur, Ud: Tutti & solo |
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Week - 12 |
Special notation and instrumentation with regards to instruments such as the Kanun, Kemençe, Ney, Tanbur, Ud: klangfarbenmelodie |
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Week - 13 |
Special notation and instrumentation with regards to instruments such as the Kanun, Kemençe, Ney, Tanbur, Ud: accompaniment, effect & mimicry |
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Week - 14 |
Special notation and instrumentation with regards to instruments such as the Kanun, Kemençe, Ney, Tanbur, Ud: proper usage of microtonal accidentals in makam |
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