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Week - 1
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Meeting, course introduction and student expectations |
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Week - 2
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The invention of photography and its relationship with the socio-cultural, economic and scientific codes of the period. Introduction to photographic theories: Reality, realism, and photography. |
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Week - 3
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Introduction to photographic theories: The relationship between reality and documentary photography through examples. How does documentary photography differ from other photographs? |
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Week - 4
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The first documentarians: R. Adamson, O. Hill, E. Atget et al. Anthropology and photography: S. Bourne, E. Curtis et al. |
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Week - 5
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Social documentarians: L.Hine, J. Riss; FSA, Fikret Otyam. Working class photography and its difference from other types of documentary photography. |
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Week - 6
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F64, Photo Leage, New Documents. |
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Week - 7
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MIDTERM |
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Week - 8
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Changing documentary photography |
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Week - 9
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Agencies, documentary photography and photographers |
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Week - 10
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Classical project and presentation methods; new possibilities in new media |
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Week - 11
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Identification and distribution of student projects |
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Week - 12
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Feedback and interactions regarding student projects |
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Week - 13
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Latest feedback on student projects and presentation methods |
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Week - 14
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Students presenting their projects in the classroom environment |
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