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Week - 1
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Inspection of polyphonic composition examples bearing a makam character |
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Week - 2
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Inspection of polyphonic composition examples bearing a makam character |
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Week - 3
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Form analysis for finding makam-based melodic fragments |
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Week - 4
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Form analysis for finding makam-based melodic fragments |
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Week - 5
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Rhythmic analysis of sections simiar to those seen in forms such as Peşrev and Saz Semaisi |
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Week - 6
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Rhythmic analysis of sections simiar to those seen in forms such as Peşrev and Saz Semaisi |
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Week - 7
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Contrapuntal Imitation in makam harmonization: Canon via makam elements |
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Week - 8
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Contrapuntal Imitation in makam harmonization: Invention via makam elements |
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Week - 9
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Contrapuntal Imitation in makam harmonization: Fugue via makam elements |
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Week - 10
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Transformations that can be applied over the Subject and the Counter-Subject: Inverse, Retrograde, Inverse-Retrograde |
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Week - 11
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Special notation and instrumentation with regards to instruments such as the Kanun, Kemençe, Ney, Tanbur, Ud: Tutti & solo |
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Week - 12
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Special notation and instrumentation with regards to instruments such as the Kanun, Kemençe, Ney, Tanbur, Ud: klangfarbenmelodie |
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Week - 13
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Special notation and instrumentation with regards to instruments such as the Kanun, Kemençe, Ney, Tanbur, Ud: accompaniment, effect & mimicry |
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Week - 14
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Special notation and instrumentation with regards to instruments such as the Kanun, Kemençe, Ney, Tanbur, Ud: proper usage of microtonal accidentals in makam |
Anadolu Info Package 
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