| Language of Instruction |
Türkçe |
| Course Type |
Required Courses |
| Course Instructor(s) |
ÖĞR. GÖR. GONCA ÇİÇEK, ÖĞR. GÖR. ONUR ÜSTÜNKAYA |
| Mode of Delivery |
Face to face |
| Prerequisites |
Maqam Analysis II |
| Courses Recomended |
None. |
| Recommended Reading List |
• Arel, H. S., (1968). Türk Musikisi Nazariyatı Dersleri. İstanbul: İleri Türk Musikisi Konservatuarı Yayınları.• Yekta, R., (1986). Türk Musikisi. İstanbul: Pan Yayıncılık.• Karadeniz, E., (1965). Türk Musikisinin Nazariye ve Esasları. Türkiye İş Bankası Kültür Yayınları.• Ezgi, S., (1933-1935-?-1940-1953). Nazari, Ameli Türk Musikisi. I-V cilt, İstanbul: İstanbul Konservatuarı Neşriyatı. |
| Assessment methods and criteria |
2 mid-terms, 1 Final Exam |
| Work Placement |
N/A |
| Catalog Content |
By Hearing and Sight Singing, Understanding the Scales and Tetrachords of Pençgah, Pesendide, Nühüft, Nişaburek and Arazbar Maqams; Analyzing Pieces on Those Maqams, Gaining a deeper understanding through dictating and sight-singing exercises, Explaining the meaning of maqamic concepts such as tuning system, transposition and şed from the systematic school until today with reference to said maqams; Exercises for Transposing the Learned Maqams onto Other Pitches; Sight-Singing Exercises on Different Tuning Systems. |
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