| Language of Instruction |
Türkçe |
| Course Type |
Required Courses |
| Course Instructor(s) |
ÖĞR. GÖR. GONCA ÇİÇEK, ÖĞR. GÖR. ONUR ÜSTÜNKAYA |
| Mode of Delivery |
Face to face |
| Prerequisites |
Maqam Analysis III |
| Courses Recomended |
None. |
| Recommended Reading List |
• Arel, H. S., (1968). Türk Musikisi Nazariyatı Dersleri. İstanbul: İleri Türk Musikisi Konservatuarı Yayınları.• Yekta, R., (1986). Türk Musikisi. İstanbul: Pan Yayıncılık.• Karadeniz, E., (1965). Türk Musikisinin Nazariye ve Esasları. Türkiye İş Bankası Kültür Yayınları.• Ezgi, S., (1933-1935-?-1940-1953). Nazari, Ameli Türk Musikisi. I-V cilt, İstanbul: İstanbul Konservatuarı Neşriyatı. |
| Assessment methods and criteria |
2 mid-terms, 1 Final Exam |
| Work Placement |
N/A |
| Catalog Content |
Examination of Some Maqams with a Fewer Number of Pieces; By Hearing and Sight-Singing Exercises, Understanding the Scales and Tetrachords of Peyk-İ Safa, Muhayyer Sünbüle, Şevk u Tarab, Tarz-ı Cedit, Büzürg, Buselik, Huzi, and Vech-i Arazbar Maqams; Analyzing pieces on those maqams, Gaining a deeper understanding through dictating exercises, Explaining the meaning of maqamic concepts such as tuning system, transposition, and şed from the systematic school until today with reference to said maqams, Exercises for transposing those maqams onto other selected pitches. |
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