| Language of Instruction |
Türkçe |
| Course Type |
Elective Courses |
| Course Instructor(s) |
DOÇENT EMRE ÜNLENEN |
| Mode of Delivery |
The mode of delivery of this course is face to face. |
| Prerequisites |
There is no pre-requisite or co-requisite for this course. |
| Courses Recomended |
There is no recommended optional programme component for this course. |
| Recommended Reading List |
|
| Assessment methods and criteria |
Classic exam. One mid, one final exam. |
| Work Placement |
N/A |
| Catalog Content |
General Features of the Composed Guitar Concertos after 1950: The differences between these concertos and pre-1950 concertos, the Size of the orchestra, Usage of the guitar with different instrument groups, Improvements on orchestration - form and harmony; Analysis of the Guitar Concertos, Based on Form and Harmony: General characteristics of Leo Brouwer's 14 different guitar concertos and the how these concertos have been effected by the changes in the musical language of the composer, Jazz music influence on Roland Dyens’ works, Concerto Metis and Concertomaggio, Dusan Bogdanovich’s 6 guitar concertos and the reflection of Balkan ethnic music in these works, post-r |
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