| Recommended Reading List |
Baudry, J. L. (1974) Ideological Effects of Basic Cinematoghraphic Apparatus.B. Nichols. Ed. Movies And Methods11. Berkeley: University of California Press,1985. Bonitzer, P. (2006). Kör Alan ve Dekadrajlar. İstanbul: Metis Yayınları.Bordwell, D. (1990) Narration in the Fiction Film. London: Routledge.Bordwell, D. (2008) Poetics of Cinema. New York: Routledge.Bonitzer, P. (2007). Bakış ve Ses (2. Basım). İstanbul: Metis Yayınları.Branston, G. (2000) “Neden kuram?”, çev. A. Gürata. Gledhill, C. Williams L. (ed.) Reinventing Film Studies. London: Arnold.Buscombe, E. (2002) “ “Sound and Color”, Turner,G.(ed.) The Film Cultures Reader.London: Routledge. Butler, A. (2005) Film Çalışmaları, çev. A. Toprak.İstanbul: Kalkedon. Comolli J-L. ve Narboni, J. (2008). “Sinema / İdeoloji / Eleştiri”. Der. S. Büker ve G. Topçu, Sinema Tarih/Kuram/Eleştiri (s. 99 - 112) içinde. Ankara: Gazi Üniversitesi Kırkıncı Yıl Kitaplığı.Dayan, D. (1976). “The Tutor-Code of Classical Cinema”. Der. B. Nichols, Movies and Methods (s. 438 – 451) içinde. ABD: University of California Press.Deleuze, G. Guattri, F. (2013) A Thousand Plateaus. New York: Bloomsbury.Dyer, R. (2002)”Lighting for Whiteness”, Turner,G.(ed.) The Film Cultures Reader.London: Routledge. Heath, S. (1978). “Notes On Suture”. Screen (18).http://www.lacan.com/symptom8_articles/heath8.html#_ftnref19Heath, S. (1981). Questions of Cinema. ABD: Indiana University Press.Magrini, J. M. (2006). “On the System of the “Suture” in Cinema”.http://www.othercinema.com/otherzine/?issueid=15&article_id=33McQuire, S. (2008) “Film in the Context of Digital Media”, J. Donald ve M. Renov (ed.) Film Studies. Los Angeles: Sage. Neale, S. (2002) Color and Film Aesthetics”, Turner,G.(ed.) The Film Cultures Reader.London: Routledge. Prince, S. (2002) “True Lies:Perceptual Realism, Digital Images and Film Theory, Turner,G.(ed.) The Film Cultures Reader.London: Routledge. Rothman, W. (1976). “Against ‘the System of the Suture’”. Der. B. Nichols, Movies and Methods (s. 451 – 459) içinde. California: University of California Press.Ryan, M. ve Kellner, D. (1997). Politik Kamera. Çev. Elif Özsayar. İstanbul: Ayrıntı Yayınları.Sergi, G. (2002) “A Cry in the Dark: The Role of the Post-Classical Film Sound”, Turner,G.(ed.) The Film Cultures Reader.London: Routledge. Silvermen, K. (1983). The Subject of Semiotics. ABD: Oxford University Press.Stam, R. vd. (1992). New Vocabularies in Film Semiotics: Structuralism, Post-structuralism, and Beyond. UK: Routledge.Stam, R. Shotat, E. H. (2000) “Film Theory and Spectatorship in the Age of ‘posts’, Gledhill, C. Williams L. (ed. ) Reinventing Film Studies. London: Arnold. |
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