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  • Contemporary Printmaking Art and Practices
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Course Title Code Compulsory/Elective Laboratory + Practice ECTS
Contemporary Printmaking Art and Practices BAS510 I. YEAR 4+0 7.5
Language of Instruction Türkçe
Course Type Elective Courses
Course Instructor(s) DR. ÖĞR. ÜYESİ SEVCAN SARİBAŞ
Mode of Delivery The mode of delivery of this course is face to face
Prerequisites There is no prerequisite or co-requisite for this course.
Courses Recomended There is no recommended optional programme component for this course.
Recommended Reading List Abidin, M. Z., Daud, W. S. A. W. M. ve Rathi, M. R. M. (2013). Printmaking: Understanding the terminology. Procedia-Social and Behavioral Sciences, 90, 405-410. Araz, G. (2006). Baskıresmin çağdaşlaşma sürecinde atölye 17 [Yayınlanmamış Doktora Tezi]. Anadolu Üniversitesi. Ateş, S. K. (2017). Baskı sanatlarının günümüz örnekleri. İnönü Üniversitesi Sanat ve Tasarım Dergisi, 7(15), 199-210. Ateş, S. K. (2019). Baskıresim’de deneysel arayışlar ve atölye 17. İnönü Üniversitesi Kültür ve Sanat Dergisi, 5(2), 37-44. Balamber, B. (2016). Baskıresim ve sokak sanatının buluştuğu ortak paydalar. İdil Sanat ve DilDergisi, 5(25), 1539-1550. Coldwell, P. (2010). Printmaking a contemporary perspective. London: Black Dog Publishing. Esmer, H. (2014, 27 Haziran). Baskıresimde deneysel arayışlar [Konferans sunumu]. The Art in Society, Sapienza University of Rome. Fırıncı, M. (2013). Dijital çağda geleneksel baskı resim ve teknikler arası geçiş (melezleşme). Sanat ve Tasarım Dergisi, 4(4), 127-135.Ferber, A. L. (2014). Nancy Spero: Printing, writing, collaging [Yayınlanmamış Doktora Tezi]. University of Illinois at Urbana-Champaign.Fishpool, M. (2009). Hybrid prints. London: A&C Black. Girgin, F. (2014). Çağdaş sanatta, sanatın malzemesi olarak mekan. Akdeniz Sanat, 6(11), 214-234. Kaya, S. T. (2020). Yeni̇ medya’nın baskıresme etki̇si̇. Görünüm, 9(9), 45-57.Kıran, H. (2016). Çağdaş baskı resim sanatına genel bir bakış. Sanat ve Tasarım Dergisi, 6 (1), 54-77.Noyce, R. (2010). Critical mass printmaking beyond the edge. London: A&C Black. O'Doherty, B. (2021). Beyaz küpün içinde galeri mekanının ideolojisi (Çev: A. Antmen) (5.Baskı). İstanbul: Sel yayıncılık İstanbul. Schultz, C. (2011). A matrix you can move in: Prints and installation art. Art in Print, 1(3), 11-17.Sounders, G. ve Miles, R. (2006). Prints now directions and definitions. London:V&A Publications.Sözen, H. N. (2010). Sanata disiplinlerarası bir yaklaşım: Enstalasyon sanatı ve Genco Gülan örneklemi. Sanat ve Tasarım Dergisi, 1(6), 147-162.Tala, A. (2009). Installations and experimental printmaking. London: A&C Black.Whitham, G. ve Pooke, G. (2022). Çağdaş sanatı anlamak (Çev: T. Göbekçin) (2.Baskı). İstanbul: Hayalperest Yayınevi. Yurdunmalı, G. (2018). Çağdaş baskıresim sanatında mekansal arayışlar [Yayınlanmamış Yüksek Lisans Tezi]. Anadolu Üniversitesi.
Assessment methods and criteria 1 Midterm, 1 Final
Work Placement Readings on Traditional and Contemporary Printmaking; Contemporary Printmaking Techniques; Materials Used in Contemporary Printmaking; Themes in Contemporary Printmaking; Interdisciplinary Relations in Contemporary Printmaking: Sculpture Art, Installation Art; Space and Exhibition Forms in Contemporary Printmaking; Artist-Artwork Studies; Experimental Applications in Contemporary Printmaking: Determination of Material, Determination of Technique and Determination of Theme; Exhibition Preparation Studies; Writing a Manifesto; Exhibition and Evaluation.
Catalog Content Readings on Traditional and Contemporary Printmaking; Contemporary Printmaking Techniques; Materials Used in Contemporary Printmaking; Themes in Contemporary Printmaking; Interdisciplinary Relations in Contemporary Printmaking: Sculpture Art, Installation Art; Space and Exhibition Forms in Contemporary Printmaking; Artist-Artwork Studies; Experimental Applications in Contemporary Printmaking: Determination of Material, Determination of Technique and Determination of Theme; Exhibition Preparation Studies; Writing a Manifesto; Exhibition and Evaluation.

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