| Language of Instruction |
Türkçe |
| Course Type |
Required Courses |
| Course Instructor(s) |
DOÇ. DR. YASİN BOL |
| Mode of Delivery |
Face to face |
| Prerequisites |
XXX1762 Maqam Theory and Ear Training I |
| Courses Recomended |
None. |
| Recommended Reading List |
• Arel, H. S., (1968). Türk Musikisi Nazariyatı Dersleri. İstanbul: İleri Türk Musikisi Konservatuarı Yayınları.• Yekta, R., (1986). Türk Musikisi. İstanbul: Pan Yayıncılık.• Karadeniz, E., (1965). Türk Musikisinin Nazariye ve Esasları. Türkiye İş Bankası Kültür Yayınları.• Ezgi, S., (1933-1935-?-1940-1953). Nazari, Ameli Türk Musikisi. I-V cilt, İstanbul: İstanbul Konservatuarı Neşriyatı. |
| Assessment methods and criteria |
2 mid-terms, 1 Final Exam |
| Work Placement |
N/A |
| Catalog Content |
Perceiving the Hicaz Tetrachord and then Comprehending the Scales and Melodic Progressions of Hicaz, Hümayun, Uzzal and Zirgüleli Hicaz Maqams; Playing Exercises and Performing Pieces on those Maqams, Dictating and Sight-Singing Exercises; Learning those Maqams Using Zirgüleli Hicaz Scale but Positioned on Every Other Pitches; Through the Pieces, Grasping How Maqams such as Şedaraban, Suzidil, Suzinak, Hicazkar and Evcara Differ Although They Use the Same Scale. |