Field Qualifications | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 |
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know about the historical development of creative drama in Turkey and also in the world. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
join seminars and activities to develop personel and professional knowledge voluntarily. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
never use private problems of participants as a topic in creative drama process and never allow this. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
know and use the basic concepts, scientific and artistic terminology in the area of creative drama correctly. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
plan, implement , evaluate the process of creative drama by regarding individual differences to support all developmental areas. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
properly organize physical and psychological environment in the process of creative drama education. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
express himself by voice, body and verbally as a participant or trainer through creative drama education. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
\n\n Drama Field Information | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
follow publications and research done in the field of creative drama and reflect them into his practices. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
know the precursors of creative drama and the understanding of creative drama in Turkey and in the World, and reflect this knowledge into his practices. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
He or she plans, implements and evaluates social projects related to the field of creative drama. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
He or she recognizes the different approaches about acting and stage trainning and uses these approaches in the process of creative drama. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
He or she has sufficient knowledge in acting and stage experience. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
\n\nHe or she has basic knowledge about the regie. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
\n\nHe or she prepeares a theatrical show by benefitting from the methodology and techniques of creative drama when it is neccessary. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
He or she knows the past and contemporary arts and art education methods, and benefits from the Works of art in the lessons. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
He or she uses eaesthetic understanding and selectivity skills based on objective criteria in the process of creative drama effectively. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
He or she makes practices to increase awareness in creative drama practices and its positive contribution to the society. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
Educational Sciences Field Information | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
\n\nuse the educational technology based on the objectives of creative drama education and instruction. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
evaluate creative drama curriculums and implement necessary regulations. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
carry out the creative drama education process in the light of national and universal values. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
All creative drama education practices and principles are based on the national educational goals and principles. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
have all ethical, social,academical, and proffesional values and use them in creative drama practices. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
\n\ncooperate with stakeholders (families, local governments, universities, related institutions and so on.) to solve the problems in creative drama applications and in the field of education. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
\n\nestablishe the relationship between aesthetics, art, and creative drama effectively. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
use the interactive relationship between Creative Drama, Literature, Children\\\'s Literature in the plans of education and instruction. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
obey the rules and regulations of proffessional ethics of creative drama educators. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
plan implementations and evaluate social projects to increase the awareness of positive contributions to the society made by creative drama applications. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
set up connections with daily life and interdiciplines in the process of creative drama learning and teaching | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
plan practices to develop students as democratic and effective citiziens. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
establish a relationship among aesthetics, art, and creative drama. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
recognize different approaches in acting and stage trainning and uses these approaches in the process of creative drama. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
design, use, develop, evaluate appropriate learning materials to create effective teaching and learning environment in the process of creative drama. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
know the principles of instruction and teaching methods, and percieve the similarities and differences between creative drama and instruction. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
know and implement the creative drama measuring and evaluation criteria and forms. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
use the appropriate methods and techniques to develop students’ critical thinking ability, creative thinking ability, the ability to carry out a research and problem solving. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |