| ANİ201-Animation | 2 | 2 | 3 | 3 | 3 | 1 | 2 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | | | | | |
| ARY111-Research Methods in Social Sciences | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 1 | | | | | |
| ARY312-Applied Research in Social Sciences | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 1 | | | | | |
| ERA199-Cultural Diversity and Communication | | | | | | | | | | | | | | | | | | | | | | | | | | |
| EST303-Aesthetics | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 2 | 3 | 2 | 3 | 1 | 1 | 1 | 3 | | | | | |
| FEL102-Introduction to Philosophy | | | | | | | | | | | | | | | | | | | | | | | | | | |
| FEL303-Philosophical Criticism and Art | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 3 | | | | | |
| FOT116-Basic Photography Applications | 3 | 3 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 |
| FOT201-Basic Photography | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 |
| FOT303-Photography Project | 3 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 3 | 3 | 3 | | | | | |
| GRA201-Media Graphic | 2 | 2 | 3 | 3 | 3 | 3 | 1 | 1 | 3 | 3 | 2 | 3 | 3 | 2 | 2 | 2 | 2 | 1 | 1 | 2 | 3 | 2 | 2 | 2 | 2 | 2 |
| İKT215-Economics | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 |
| İLT107-Introduction to Communication | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 0 | 0 | 3 | 3 | | | | | |
| İLT108-Theories of Communication | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 0 | 0 | 0 | 0 | 0 |
| İNG325-Academic English III | | | | | | | | | | | | | | | | | | | | | | | | | | |
| İNG326-Academic English IV | | | | | | | | | | | | | | | | | | | | | | | | | | |
| İNG425-Academic English V | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| İNG426-Academic English VI | | | | | | | | | | | | | | | | | | | | | | | | | | |
| KÜL193-Career Planning | | | | | | | | | | | | | | | | | | | | | | | | | | |
| KÜL195-Volunteer Work | | | | | | | | | | | | | | | | | | | | | | | | | | |
| KÜL201-History of Culture | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 3 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | | | | | |
| KÜL301-Cultural Analysis in Television Programs | | | | | | | | | | | | | | | | | | | | | | | | | | |
| MİT201-Mythology I | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 2 | 2 |
| MİT202-Mythology II | | | | | | | | | | | | | | | | | | | | | | | | | | |
| PSİ102-Psychology | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 3 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 3 |
| PSİ104-Social Psychology | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 3 | 1 | 2 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 3 | 3 |
| RSM339-History of Painting I | | | | | | | | | | | | | | | | | | | | | | | | | | |
| RSM340-History of Painting II | | | | | | | | | | | | | | | | | | | | | | | | | | |
| SİY102-Political Science | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 3 | 3 | 3 | 1 | 2 | 2 | 3 | 1 | 1 | | | | | |
| SNT253-History of Art | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 2 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 |
| STJ312-Internship | 0 | 3 | 3 | 0 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 0 | 0 | 2 | 0 | 3 | 3 | 2 | 0 | 2 | 1 | 3 | 1 | 3 | 0 | 0 |
| STV102-Basic Video Production | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 2 | 3 | 0 | 0 | 0 | 0 | 0 |
| STV103-Introduction to Film and Television | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 2 | 3 | 0 | 0 | 0 | 0 | 0 |
| STV106-Basic Techniques of Film | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 3 | 2 | 1 |
| STV108-Basic Techniques of Television | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 3 |
| STV201-Film Production Theory | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV204-Photographic View | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 |
| STV206-Visual Composition | 2 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 2 | 3 | 3 | 1 | 2 | 1 | 1 |
| STV208-TV Production Design | 1 | 2 | 3 | 3 | 3 | 2 | 3 | 3 | 1 | 3 | 2 | 3 | 3 | 3 | 2 | 3 | 3 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 |
| STV211-Videography | 1 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 1 | 2 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 1 | 1 |
| STV212-Sound Recording in Cinema and TV | 3 | 3 | 2 | 3 | 3 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 1 | 3 | 3 | 3 | 1 | 1 | 0 |
| STV213-Sound Techniques for Cinema and TV | 2 | 3 | 1 | 0 | 3 | 2 | 3 | 3 | 3 | 2 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 |
| STV214-Narrative and Cinema | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 3 |
| STV219-History of World Cinema I | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 |
| STV220-History of World Cinema II | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 |
| STV221-Screenwriting I | 2 | 2 | 3 | 3 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 1 | 1 |
| STV222-Screenwriting II | 2 | 2 | 3 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 1 |
| STV245-Theories and Principles of Editing | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV302-Visual Aesthetics | 3 | 3 | 2 | 2 | 2 | 1 | 3 | 2 | 1 | 2 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 1 | 2 | 3 | 3 | | | | | |
| STV303-Film Theory I | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | | | | | |
| STV304-Film Criticism and Analyses I | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | | | | | |
| STV305-Television Production | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | | | | | |
| STV305-Television Production | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | | | | | |
| STV306-Introduction to Film | 3 | 3 | 3 | 2 | 3 | 2 | 2 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 3 | | | | | |
| STV307-Style in Cinema | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 3 |
| STV308-Documentary Cinema | 3 | 3 | 3 | 2 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 1 | 1 | 2 | 3 | 0 | 2 | 1 | 2 |
| STV309-Seminar I | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV310-Seminar II | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 1 | 2 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 3 | | | | | |
| STV311-Film Project | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV312-Contemporary World Cinema | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 3 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 3 |
| STV313-Interactive Media and Society | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 |
| STV315-Visual Structure of Film | 3 | 3 | 3 | 3 | 3 | 0 | 3 | 3 | 3 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 |
| STV317-Horror Cinema | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 |
| STV319-Applications in Editing | 3 | 3 | 2 | 1 | 2 | 2 | 1 | 3 | 3 | 3 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 3 | 0 | 0 | 0 | 0 | 0 |
| STV321-Principles of Digital Content Creation | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 2 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 3 |
| STV343-Directing Mise-en-scene | 3 | 3 | 3 | 3 | 3 | 0 | 3 | 2 | 0 | 3 | 1 | 3 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 3 | 3 |
| STV344-History of Turkish Film | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 1 | 1 | 3 | | | | | |
| STV345-Video Camera Lighting | 2 | 2 | 3 | 2 | 3 | 1 | 3 | 3 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| STV346-Film Camera and Lighting | 2 | 3 | 3 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
| STV347-Types of Television Programs | 3 | 3 | 3 | 1 | 3 | 3 | 2 | 1 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 3 |
| STV348-Film Genres | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 |
| STV353-Televısıon Project | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV355-Film Criticism and Analysis II | 3 | 3 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 3 | 3 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 0 | 3 | 3 |
| STV359-New Communication Technologies | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 2 | 3 | 2 | 2 | 2 | 3 | 3 | | | | | |
| STV359-New Communication Technologies | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV360-Film Theories II | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 3 | 3 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 3 | 3 |
| STV364-Sociology of Film | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV365-Video Art | | | | | | | | | | | | | | | | | | | | | | | | | | |
| STV366-Inspection Methods in Television Broadcasting | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 3 | 3 | 1 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 2 | 3 | 3 |
| STV367-Aesthetics of Documentary Filmmaking | 3 | 3 | 3 | 3 | 3 | 0 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 1 | 1 | 1 | 3 | 3 | 3 | 3 | 3 | 3 |
| STV374-Educational Television Practices II | 3 | 3 | 3 | 3 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 1 | 3 | 2 | 1 | 1 | 1 | 3 | 3 | 3 | 1 | 2 | 2 |
| STV375-Communicating Sustainable Development Goals | 0 | 1 | 3 | 2 | 3 | 1 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 3 | 3 | 2 | 2 | 1 | 2 | 3 | 3 | 2 | 3 | 3 |
| STV401-Production and Directing I | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | | | | | |
| STV401-Production and Directing I | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | | | | | |
| STV402-Production and Directing II | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | | | | | |
| STV402-Production and Directing II | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | | | | | |
| STV404-Intercultural Communication | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 3 | 3 | 1 | 3 | 3 | 3 | | | | | |
| STV411-Seminar III | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 3 | 3 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 2 |
| STV449-Film Adaptations | 2 | 1 | 3 | 3 | 3 | 2 | 0 | 0 | 0 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 0 | 2 | 3 | 3 | 3 | 3 | 3 | 3 |
| STV452-Contemporary Literature and Cinema | 2 | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 2 | 3 | 1 | 3 | 1 | 1 | 1 | 3 | | | | | |
| STV453-Contemporary Turkish Cinema | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 1 | 1 | 3 | | | | | |
| STV461-Science Fiction and Cinema | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 3 | 3 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 3 | 3 |
| STV463-Contemporary Screen Narratives | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 3 |
| TAR165-Atatürk's Principles and History of Turkish Revolution I | | | | | | | | | | | | | | | | | | | | | | | | | | |
| TAR166-Atatürk's Principles and History of Turkish Revolution II | | | | | | | | | | | | | | | | | | | | | | | | | | |
| TİY303-Dramaturgy | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 3 | 3 |
| TÜR121-Writing | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 1 |
| TÜR122-Speaking Skills | | | | | | | | | | | | | | | | | | | | | | | | | | |
| TÜR125-Turkish Language I | | | | | | | | | | | | | | | | | | | | | | | | | | |
| TÜR126-Turkish Language II | | | | | | | | | | | | | | | | | | | | | | | | | | |